1860 Heritage Centre

1860 Heritage Centre The 1860 Heritage Centre is a South African heritage museum that showcases the diversity of South Africa's rich heritage.

Vinayaka Chaturthi. May Lord Ganesha's blessings bring you strength, courage, and prosperity in the coming year.The trea...
14/09/2026

Vinayaka Chaturthi.
May Lord Ganesha's blessings bring you strength, courage, and prosperity in the coming year.

The treasured 161 year old, 10cm Vinayagar Perumaan murthi used for this post was brought to our African home aboard the Indentured ship, The Saxon in 1864 from Chittoor, India by 29 year old Camachee, indentured no. 3297, and her 3 children. It now serves as a treasured murthi that symbolises the clearing of all obstacles on the life journey of all descendants of the system of indenture.

Like the steps taken by Camachee, may you find strength in every beginning and wisdom in every step. Wishing you a blessed Vinayaka Chathurti.

1860 HERITAGE CENTRE FOOD FESTIVAL Remember, Reflect, Restore. Thank you for your generosity in preserving memory. Vera ...
13/09/2026

1860 HERITAGE CENTRE FOOD FESTIVAL Remember, Reflect, Restore. Thank you for your generosity in preserving memory. Vera Level.

Heritage Food Festival. We await your company
12/09/2026

Heritage Food Festival. We await your company

HERITAGE FOOD OF INDENTURED INDIANS FROM THE SEA TO THE PLANTATION.Selvan Naidoo and Kiru NaidooThe Surgeon Superintende...
11/09/2026

HERITAGE FOOD OF INDENTURED INDIANS FROM THE SEA TO THE PLANTATION.

Selvan Naidoo and Kiru Naidoo

The Surgeon Superintendent’s journal of the sea voyage of the SS Umzinto, transporting 483 indentured workers to Natal in 1903, makes for interesting reading. Of particular interest to us is understanding the cultural heritage of food and how we arrived at this culture, 166 years after the first indentured workers arrived in Durban.

The SS Umzinto left Madras port on 11 December 1903, arriving at Durban at 6.15 pm on 31 December 1903. During the twenty-day journey, children were fed breakfast at 7.30 am, adults at 9 am, with supper between 4 and 5 pm. There was no lunch.
On the first day of the journey, the Surgeon Superintendent wrote that he boarded the ship the previous afternoon, with his luggage, and inspected all parts of the ship with the Chief Officer, the Captain being ashore. The ship was very clean, and everything appeared to be in order, including the dispensary. He inspected what he referred to as the ‘coolie’ stores, evaluating the quality and quantity of food items, according to samples, and found that all were correct, with the qualities being ‘all of the best standard’ in his assessment.

The next morning the Superintendent reported that the weather was fine and clear, with smooth sea conditions; the temperature during the day was considerably warmer, until rain at 3 p.m. cooled things down. The children were served gruel, a watery rice-based porridge, with milk being served at 7.30 a.m. At 9 a.m., the morning meal consisted of biscuits, choorah (Powa or flattened rice flakes) with sugar. The evening meal of cooked rice and curry was served at 4.15 p.m
The following days, the same routine followed, with the meals consisting of gruel and milk served to children at 7 a.m. and 3 p.m. Adult passengers were served morning tea with biscuits, choorah and sugar at 9 a.m., and in the evening, a meal of mutton curry and rice, served at 4.50 pm.

On other days, the morning meal was made up of cooked rice and pepper water ( rasam) and dhall at 9 a.m. The afternoon meal for that day was a vegetarian choice of cooked rice dhall and potato curry that was served at 4.15 p.m.

On the 15th Day, the weather was reported as rainy and dull in the morning, with the emigrants kept below the deck until their morning meal was served to them at 9.16 a.m. They were served cooked rice, dhall, mash, tamarind chutney, and pepper water at 9 a.m. The evening meal at 4.15 p.m. was the usual offering of rice, dhall, and pumpkin.

By the 19th Day on the 29th December 1903, the weather was reported as dull, with strong winds from the north, but moderated towards noon. Children were fed with gruel at 7 a.m., and at 9 a.m. the cooked meal of rice & vegetable curry was served to adults. At 4.30 pm a cooked meal of rice, potatoes and mutton was served out. By the next morning, the ship had sighted Durban at 6.15 p.m.

In reading the Surgeon Superintendent’s journal, we get to analyse the ship journeys on board the 384 ships that brought 152 184 indentured workers from 1860 to 1911 into colonial South Africa. For the journey of the SS Umzinto in 1903, we begin to understand how indentured workers were fed and the type of meals they were served.

After indentured workers arrived, they were assigned to various plantations across colonial Natal. Here they were given dhall, rice, and salted, dried fish as the agreed rations that were agreed upon in the contracts they signed. Many plantation owners substituted rations with cheaper ingredients that were foreign to workers. Mielie meal was substituted for rice and more than often, food rations were withheld for the slightest infringements, leveraging power for increased labour production. Learning to adapt to a foreign land, these labourers learned how to incorporate African food ingredients like maize meal and amadumbe to make their meals palatable. For them, little was enough for a feast.

Immediately after the beastly exercise of quarantine, indentured workers were shepherded to plantations very often fifty to a hundred miles away. The terrain and vegetation were different from that which they encountered in either the Southern or Northern parts of India.

Their basic meals came in the form of rations that included dhall and rice or mielie meal. Rations sometimes arrived late or not at all, forcing people to forage in the forest, picking all varieties of herbs, fruit, and tubers. The tasty yam called amadumbe was boiled, roasted, or curried. Similarly, green bananas became fritters or grated as a curry. Mangoes could be curried either sweet, sour, or pickled. Gem squashes found form as a deceptive substitute for meat or fish, especially when soured with tamarind or green mangoes
Rice, which is a staple throughout Asia, was in short supply. Indians made amends. Mealies were pounded into fine grains. When slow-boiled, it looked very much like rice, with mielie rice, Khitchdi being a firm favourite, even amongst present-day descendants of indentured ancestry. Sometimes turmeric or tamarind was added to vary the flavour. With meat either being very expensive or entirely out of reach, salted and dried fish added to a tomato chutney became a routine accompaniment to the mealie rice. In fact, that simple meal has become so sought-after that one can find it on the menu of prime eating establishments like the Britannia Hotel in Durban. A coarser ground mealie grain called samp was an established part of Zulu cuisine. Indians spiced up samp with chilies and other condiments. Curried samp, nowadays frequently cooked with beans or meat, is a prized dish.

The grinding implements are also very similar to the Zulu and Indian methods. In Tamil, the “ammikal” is a flat granite stone that is accompanied by a rolling pin-type stone. The “worral” is a standing receptacle in stone, wood, or metal, the contents of which are pounded by a pole-like tool. Variations of the same are found in any traditional Zulu household.

One dish that has the same name in both the Tamil and Zulu languages is ‘phutu’. Its pronunciation may vary slightly, but in cooking method and taste, it is the same dish. It is commonly eaten with a soured milk called ‘amasi’ in Zulu, which is hardly different from the curd in Indian cooking. The curd has a cooling effect on the stomach, with the probiotics aiding digestion. The common ground in cooking traditions is potentially a fascinating area of inquiry that demonstrates that there is more that unites South Africans than divides them.

In celebration of the rich heritage of Indenture Indians, the 1860 Heritage Centre will host the Heritage Food Festival on 12 September 2026.

Selvan Naidoo and Kiru Naidoo are co-authors with Paul David and Ranjith Choonilall of The Indian Africans, published by Micromega, available at www.madeindurban.co.za.

MEC KHAWULA WELCOMES THE DECLARATION OF CURRIES FOUNTAIN STADIUM AS A PROVINCIAL HERITAGE SITEMEC for Sport, Arts and Cu...
09/09/2026

MEC KHAWULA WELCOMES THE DECLARATION OF CURRIES FOUNTAIN STADIUM AS A PROVINCIAL HERITAGE SITE

MEC for Sport, Arts and Culture Hon. Mntomuhle Khawula has welcomed the declaration of Curries Fountain Stadium in Durban as a Provincial Heritage Site in terms of the KwaZulu-Natal Amafa and Research Institute Act.

The declaration by KwaZulu-Natal Amafa and Research Institute, formally acknowledges the Curries Fountain Stadium as a site of exceptional historical, cultural and social significance to the people of KwaZulu-Natal and South Africa.

Named after Durban’s first reliable water source, established on this site in 1878, it was officially designated as a sports ground in 1924. It became an important venue for multiple sport codes, social, recreational and labour movement activities while also playing a vital role in the struggle for non-racial sport.

The site further served as a center for resistance to apartheid and now stands as a symbol of reflection that mirrors the province’s rich intangible heritage. It became a place that documents the history of sport among communities who experienced racial exclusion, while demonstrating how those communities used sport and sporting spaces to build identity, community and resilience.

The declaration of Curries Fountain Stadium as a Provincial Heritage Site acknowledges not only its physical and historical importance but also its intangible heritage value and its enduring significance to the communities and individuals whose histories are connected to the site.

The KwaZulu-Natal Amafa and Research Institute recognizes that heritage conservation is most meaningful when it contributes to the preservation of collective memory and ensures that significant places remain accessible to present and future generations. The declaration of this site represents an important step in recognising and protecting a place that holds historical, cultural and social significance, ensuring that the heritage significance of Curries Fountain Stadium is formally recognised and protected for future generations.

It is on this backdrop that MEC for Sport, Arts and Culture Hon. Mntomuhle Khawula in collaboration with the KwaZulu-Natal Amafa and Research Institute extends his appreciation to all stakeholders, heritage practitioners, organizations, sporting communities and members of the public who have contributed to the identification, documentation and recognition of the heritage significance of Curries Fountain Stadium.

“Curries Fountain Stadium precinct is more than just a stadium, it is a living archive of KwaZulu-Natal’s journey toward a non-racial, democratic, resilient and socially cohesive province. In modern times, the site continues to resonate as a common ground, a place where diverse cultures gather for entertainment events, community programmes, and celebrations of heritage. Its legacy connects both the past and present; from the fight against exclusion to today’s vision of social cohesion and shared identity,” said MEC Khawula.

Sab log aa jao
08/09/2026

Sab log aa jao

LIGHT THE FLAME OF SHARED CULTURESSelvan Naidoo & Kiru NaidooThe Indian state of Kerala’s annual celebration of Onam as ...
06/09/2026

LIGHT THE FLAME OF SHARED CULTURES
Selvan Naidoo & Kiru Naidoo

The Indian state of Kerala’s annual celebration of Onam as a harvest festival brings together Hindus, Christians, Muslims and other faiths in a shared display of communal harmony and secular tradition. While Onam has roots in Hindu legend, it functions primarily as a cultural identity celebration for all Malayalis.

Shared traditions like “pookkalam” see neighbours create colourful flower carpets outside homes and schools. Customs like “onasadya” have people sharing a multi-course vegetarian feast served on fresh banana leaves.

Shared celebration once flourished in South Africa as well. From the time the first indentured workers were shipped to the plantations of colonial Natal to when they eked out an existence in places like Magazine Barracks, Riverside and Kearsney, people came together effortlessly.

Muharram, for instance, was a key cultural expression for indentured workers, irrespective of their religious affiliation. The European colonials characterised this as the "Coolie Christmas". Distinguished historian Professor Goolam Vahed, writing on Constructions of Community and Identity among Indians in Colonial Natal, 1860-1910, noted that: "Despite the difficulties of indenture, Indians set about re-establishing their culture and religion in Durban … forging a pan-Indian identity within a white and African colonial society."

The late Professor Fatima Meer’s seminal study, ‘Portrait of Indian South Africans’ foregrounds cultural expression as a critical part of local life, noting that: “They began as the improvised expressions of the poor indentured workers….” The first contingent of free Indians had among them a few musicians, storytellers and dancers who improvised in creating entertainment. “Their meagre talents and instruments provided for the little Indian communities, settled in rural and virgin environs of the city, the basis of all their entertainment,” added Meer.

The narrative for these performances came from dramatized stories from the Mahabharata, Ramayana, and Puranas in Hindustani and Tamil. The Muslims among them sang Qawwalis in praise and worship. In days gone by, Indian Africans supported each other notwithstanding their religious differences. That is a lesson in unity at a time when suspect motivations threaten to drive wedges in South African society.

From improvisation with limited resources, performances became much more organized, with artists performing at grand temple ceremonies and weddings. By the 1930s, fully-fledged professional orchestras became commonplace. Dr Naresh Denny Veeran’s research on “Orchestral Music of the Working Class” offers phenomenal insight into the mechanics of a musical identity. Veeran brought to light the doyens of a rich orchestral tradition, among which were the Railway Youth, the Golden Lily, and the Ranjeni Orchestras. No wedding in the 1950s to the 1980s was complete without an orchestral ensemble. Sadly, that great orchestral tradition has all but disappeared. Before the orchestral tradition existed, there were three other types of semi-professional forms of artistic expression. Therukoothu, a South Indian dance drama group performance that dramatized religious scripture; Sarangi Tal, the North Indian groups that rendered religious song and dance in the rapidly disappearing language of Bhojpuri; and the third expression found in Qawwalis by Muslim performers, rendered through energetic expression often lasting an entire night.

In most instances, the performers made the props and costumes with the ‘natchanias’ (males impersonating females) of the Sarangi Tal dressed in ornate costumes. Therukoothu dancers made papier-mâché masks and accessories to dramatize their performances. Crude patriarchy ‘barred’ women from roles in such performances. It wasn’t until the 1950s that women like Dr Ansuyah Singh, a medical doctor and pathbreaking novelist, broke new ground in taking to the stage in dramatic performances.

The plantation barracks at Mount Edgecombe is widely regarded as the citadel of Therukoothu, as expertly illustrated in Dr Sathasivan (Satchu) Annamlai’s research on the once-flourishing art form. Devotees from other plantations were even provided a ‘special train service’ to enable them to take in the festival activities. As there were few alternative forms of entertainment, Therukoothu occupied centre stage with performers being accorded celebrity status. It did not require elaborate stage settings. Performances took place in the open air, some without a platform. Cloth sheeting held aloft by performers sufficed as stage curtains
Unlike in contemporary Kerala, the village traditions of Indian Africans, particularly in KwaZulu-Natal, eroded over time. Apartheid separate development, urbanisation and the mistaken cultural superiority of Western traditions shunted a large part of this heritage to memory and the history books. All was not lost, though. Spotlights of brilliance in nagara groups, Bharatanatyam and kathak schools, thespians and individual musicians soldiered on. Flash Entertainers and Nagara Touch remain household names. Acharya Ratna Isai Selvamani Karthiegasen Pillay rates among the finest Carnatic voices on the planet with Durban as his home base.

Professor Suria Govender breathed fresh life into Bharatanatyam with the Surialanga Dance Company’s fusion with traditional African dance forms. The mastery of Manesh Maharaj and Verushka Pather, among others, has seen their respective dance traditions blossom through creative collaboration.

The stage is currently being set alight by Pat Pillai’s exceptional performance of My Cape Town in collaboration with academic and jazz maestro, Melvin Peters. Peters laments that the great jazz tradition among Indian Africans that was commonplace until the early 1980s has gone into low ebb with the current generation. Hope lies in the flame of revival, boldly grasped by, among others, actor and impresario Rajesh Gopie, who has hosted successive Red Mango Festival at Sastri College. The festival stands shoulder to shoulder with Grahamstown and Edinburgh in spite of just a handful of dedicated benefactors.
Red Mango’s unifying theme, not unlike Kerala’s Onam, was evident as Gopie promoted the collaboration of Sufis, Mystics and Qawwali, bringing together the talents of Zoliswa Mchunu, Vishen Kemraj, Master Kirthan Pillay and their crews. Kemraj’s invoking the great legacy of Sufi poetry set to ostensibly Hindustani musical scores elevated the soul. Pillay demonstrated that an all-embracing Hindu could hold an audience spellbound with qawwali that would have had Ustad Nusrat Fateh Ali Khan on his feet.

Music, the stage and the arts more broadly present a unique platform to reclaim lost ground in the cultural life of Indian Africans on the southern tip of the African continent. Let’s use observances of Easter, Eid, Deepavali, Kavady, Christmas, Muharram and Navratri as both worship and a unifying celebration, as the people of Kerala have shown us.

Selvan Naidoo is the Director of the 1860 Heritage Centre and Kiru Naidoo is the founder of the Indian Diaspora Research Academy (INDRA).

Remembering Isitwalandwe/Seaparankoe Dr Yusuf DADOO on the occasion of his 117th Birth anniversary 05 September 1909. Dr...
05/09/2026

Remembering Isitwalandwe/Seaparankoe Dr Yusuf DADOO on the occasion of his 117th Birth anniversary 05 September 1909.

Dr Yusuf Dadoo's vision that still eludes South Africa.

The one who wears the plumes of the rare bird is an honour that is traditionally bestowed only on the bravest warriors, on those who have distinguished themselves in the eyes of the people for their exceptional qualities of leadership and heroism. Isitwalandwe/Seaparankoe, is the highest honour awarded by the African National Congress, to those who have made an outstanding contribution in the liberation struggle.

Chief Albert Luthuli, Dr. Yusuf Dadoo and Father Trevor Huddleston are among its recipients at the Congress of the People in Kliptown in 1955. This month marks the 110th birth anniversary of Dr. Yusuf Dadoo and given the current challenges in the consolidation of our young democracy, it is worth reflecting on the kind of society he and his generation envisioned.

Dadoo trained as a medical doctor in Edinburgh. His contemporaries included Doctors K. Goonum and Monty Naicker. The political ferment in Europe and the great anti-imperialist mobilisation in the European colonies had a powerful impact on their political development. Inspired by the Russian Revolution of 1917, Dadoo became an avowed communist. A few years after their return to South Africa, Goonum, Dadoo and Naicker became heavily involved in the work of the Natal and Transvaal Indian Congresses. The political milestones of this period included the 1946 Pass Resistance Campaign, the 1946 African Mine Workers' Strike, the 1952 Defiance Campaign, the 1955 Freedom Charter and the Women's March and Treason Trial of 1956. Dadoo and his comrades were deep in the throes of this momentous activism. It is significant to point out that the narrative of non-racialism entered our political lexicon on 1947 when the presidents of the ANC, NIC and TIC signed the Three Doctors Pact committing their organisations to joint action. Dr Alfred Binti Xuma was then President of the ANC.

Prophetically Dr. Dadoo spoke of a new dawn in the winter of 1946. An optimism that mirrors the unifying platform led by our President Cyril Ramaphosa. Speaking at the meeting of the United Nations General Assembly, Dr. Dadoo said, “We are now witnessing the first glow of a new dawn for South Africa and a decisive turning point in her history. Our country is entering a period of struggle for democracy for all, for a great united and happy South Africa. We are at long last catching up with the march of history. We are now not far behind the masses of the peoples of Europe fighting for democratic peoples’ governments and the colonial and semi-colonial peoples fighting for freedom and independence”.

Twenty-five years into our democracy, the promise of a better life for all remains a challenge. There is a right ward shift in politics both locally and globally especially in the context of creeping economic and financial crises. A deeply troubling phenomenon is a destructive populist streak in black politics in South Africa whose mobilisation is not dissimilar to the fascist politics of Hi**er and Mussolini.

Perhaps the issue that Dr. Dadoo will be most distressed with is rising inequality. In 1991, President Nelson Mandela spoke of Dadoo's contribution to the struggle beginning in 1938 with the founding of the Non-European United Front in Johannesburg. “Right from the outset, his vision took in the common degradation of disenfranchised South Africans and he focussed his attention on uniting all democrats into a single cohesive force against racism. As early as 1940, a square in Orlando was referred to as Dadoo Square, in recognition of his tough approach to colour discrimination.

Yusuf worked closely with Dr Xuma against the Pass Laws, and with Chief Luthuli in the Defiance of Unjust Laws Campaign; and he was a tower of strength to Oliver Tambo during all those years of exile. At the time of his death, he headed the South African Communist Party, a party he joined in 1939. His prolific speeches and writings record his leadership on all fronts. We miss his leadership today as we plan to move South Africa into non-racial, non-sexist democracy”.

It must concern us that Dr Dadoo’s activist vision of a non-racial South Africa of social justice and equality continues to elude us. South Africa ranks as one of the most unequal countries in the world. This is according to a report by the World Bank that listed 149 countries. The report analysed South Africa’s post-apartheid progress‚ focusing on the period between 2006 and 2015. The report found the top 1% of South Africans own 70.9% of the country’s wealth while the bottom 60% only controls 7% of the country’s assets.

Indeed we have a long way to go before we realize the visionary work that Dadoo and his golden generation set for us to achieve. Speaking at the funeral of Dadoo in London, Oliver Tambo the then president of the ANC, said, “We are gathered here to pay homage to an outstanding leader of the African liberatory struggle, a comrade and friend who devoted most of his life in the service of his people, a communist of world prominence; a dedicated and convinced internationalist who has played an effective role in the anti-imperialist movement for world peace and security and for the social progress of mankind. We assure you, Comrade Yusuf, the struggle will go on. Victory shall be ours. This grievous occasion brings us together less to mourn your tragic departure than to close ranks and advance, united, to the completion of your unfinished task. In solemn tribute to this great son of our country, we dip our revolutionary banner…The memory and example of Dr. Yusuf Dadoo will continue to inspire us till final victory and beyond”.

Written by Selvan Naidoo, Director of the 1860 Heritage Centre and Kiru Naidoo, who serves on the Advisory Board of the UKZN Special Collections at the Gandhi Luthuli Documentation Centre.

Hoping to see you at the 2026 Heritage Food Festival
03/09/2026

Hoping to see you at the 2026 Heritage Food Festival

Heritage Food Festival Demonstrations
02/09/2026

Heritage Food Festival Demonstrations

Address

No. 1 Derby Street. Corner Of Epsom Road
Durban
4001

Opening Hours

Monday 08:00 - 16:00
Tuesday 08:00 - 16:00
Wednesday 08:00 - 16:00
Thursday 08:00 - 16:00
Friday 08:00 - 16:00

Telephone

031 309 1858

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