Aether Art Projects

Aether Art Projects Aether Art Projects is a free-form curatorial and project-based art organization, with special empha

Aether Art Projects (www.aetherartprojects.com) is a free-form curatorial and project-based art organization, with special emphasis on collaboration, performance, and experimental practices. Without the constraint of operating a space, Aether Art Projects is fluid and nomadic, free to curate and repurpose. Established in 2012 by Eames Armstrong, Aether has facilitated numerous exhibitions and even

ts, at spaces such as Grace Exhibition Space Brooklyn, the National Portrait Gallery, The Shakespeare Theatre Company, Delicious Spectacle, and Hillyer Art Space. Additionally, Aether founded Peri0d Art Journal and DCperformanceart.com. Aether is co-directed by Armstrong and Melinda Diachenko, with the help of many more contributors.

performance at Atlantis Gallery, Richmond, VA
11/19/2014

performance at Atlantis Gallery, Richmond, VA

SUCH BABE ON THE FRINGE HOMEPAGE
10/03/2014

SUCH BABE ON THE FRINGE HOMEPAGE

Capital Fringe connects exploratory artists with adventurous audiences by creating outlets and spaces for creative, cutting-edge, and contemporary performance in Washington, DC.

07/18/2014

ARTIST BIOS: 25 HOURS FOR 25 YEARS AT DCAC
7:15pm Sharon Morgenthaler (MD) reading “retro poetry”
During the time that DCAC came to be I was living on Willard Street NW, studying teaching at UDC, and waitressing. I was also performing at places such...

Let's try that one again: HERE is the link to the schedule online!http://archivedcart.tumblr.com/
07/17/2014

Let's try that one again: HERE is the link to the schedule online!
http://archivedcart.tumblr.com/

documents and memories of alternative art spaces and practices in Washington, DC

07/17/2014

SCHEDULE: 25 HOURS for 25 YEARS AT DCAC
7:15 Sharon Morgenthaler (MD) reading “retro poetry”
7:35 Carolina Mayorga (DC) dance performance
7:45 Ziad Nagy (DC) performance
8 pm Maida Withers Dance Construction Company (DC)- Dancer/Collaborators:...

07/13/2014

Karen Joan Topping
This archive is frankly a dream come true in my opinion. I think it’s a huge deal. Only DCAC could bring you such a democratic open archive of the legacy of art & artists in DC. I’ve been working with DCAC in all sorts of...

07/13/2014

Linda Hesh
In beginning of 1997 I proposed an idea for a themed show to B. Stanley. It quickly came together as an art exhibition and a performance series titled “Fetish” held May 3-25. I designed the show to highlight David Page’s distinctive work...

7/11/ 2014 in collaboration with Jane Claire Remick, Persephone at Capital Fringe Copyright 2014 by Paul Gillis Photogra...
07/12/2014

7/11/ 2014 in collaboration with Jane Claire Remick, Persephone at Capital Fringe
Copyright 2014 by Paul Gillis Photography

There are still tickets available for tonight's 10pm Persephone showRemember- unlike all my other performance s**t where...
07/11/2014

There are still tickets available for tonight's 10pm Persephone show
Remember- unlike all my other performance s**t where you show up an hour late- there is no late seating for this one.
https://www.capitalfringe.org/festival-2014/shows/392-persephone

A performance art work on the myth of Persephone. Each show is created in collaboration with a different artist, for varying interpretations of worship, s*x, autonomy, violation, cycle, loss and return. The girl goddess causes the seasons.

07/05/2014

Reuben Jackson
A thousand years ( and a hairline) ago…..
DCAC provided a place for yours truly ( and many others) to share metaphorical dance steps. I remember being smitten with the environment- a most un-Washington-like runway/space for my flawed,...

ONCE AGAIN in case you haven't seen this yet- fantastic review of SOFTER, SOFTEST at Delicious Spectacle. COME SEE IT BE...
06/19/2014

ONCE AGAIN in case you haven't seen this yet- fantastic review of SOFTER, SOFTEST at Delicious Spectacle. COME SEE IT BEFORE IT GOES AWAY TONIGHT AT THE CLOSING PARTY, 7-9 pm

A problem I find with many group shows is that the connections to the stated theme are thin at best, and at worst, the work distracts and confuses the viewers. However, Curator Eames Armstrong has been considering this idea since her childhood and it shows.

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Washington D.C., DC
20814

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