Spirit of Plymouth

Spirit of Plymouth Spirit of Plymouth offers history & haunted history walking tours of historic Plymouth. We bring history to life. Local guides share local history!
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Our current tour offering is "America's Hometown Heroes." This tour covers the early days of Plimouth Colony and Plymouth's contribution to the Revolutionary War. Our tours can be customized to suit the interests of your group such as a famous
ancestor, pirates, witches etc. Coming soon is a whimsical new tour, "Find a Fairy." Perfect for a little girl's birthday party or a big girl's eccentric n

ight out. All tours are by appointment, but we will post open dates here periodically so check back often. Tours are $12/person cash only
Special group rates are available upon request.

06/14/2026
And they did it with ChatGPT
06/11/2026

And they did it with ChatGPT

On June 11, 1776, the five men portrayed here--Thomas Jefferson, John Adams, Benjamin Franklin, Roger Sherman, and Robert R. Livingston-- were appointed to create a draft for the Declaration of Independence.

The painting shows them, at the desk of John Hancock, as they are accepting the task.

06/11/2026

The Day the British Burned New Bedford
Many SouthCoast residents have never heard of Grey's Raid, but the 1778 attack left New Bedford in ruins. The story is as dramatic as anything you'll find in a history book. 📜🔥

https://www.facebook.com/share/17e7z8YYQF/?mibextid=wwXIfr
06/09/2026

https://www.facebook.com/share/17e7z8YYQF/?mibextid=wwXIfr

She passed him in the marble hallway that morning.
He glanced at the papers folded in her hand. He noticed her expression. He had destroyed enough careers to recognize the look of someone who had made a decision they couldn't take back.
"Margaret," he said, half-smiling. "You look very serious. Are you going to make a speech?"
She looked the most feared man in America directly in the eye.
"Yes," she said quietly. "And you will not like it."
Then she walked onto the Senate floor and changed American history with fifteen minutes and no raised voice.

It was June 1950. Washington D.C. was paralyzed.
For months, Senator Joseph McCarthy had held the capital in a grip of pure terror. He claimed to possess lists of communists embedded inside the United States government — lists whose numbers shifted constantly, evidence that never appeared, but destruction that was absolutely real. Teachers fired. Writers blacklisted. Civil servants erased. Careers ended by nothing more than an accusation, a rumor, a name spoken in the wrong room.
And the United States Senate — the most powerful deliberative body on earth, full of decorated veterans and seasoned political warriors — sat in complete silence.
Not because they agreed with McCarthy.
Because they were afraid of him.
Every senator privately hoped someone else would be the one to stand up. Every senator publicly made sure they weren't.
Margaret Chase Smith was fifty-two years old, a first-term Republican senator from Maine, and the only woman in the chamber. Not the only woman that session. The only woman. Period.
She had no seniority. No powerful committee chair to protect her. No political machine at her back. Her male colleagues treated her with the particular condescension reserved for people they don't believe will last — politely, dismissively, as though she were a guest who hadn't yet been told the party was over.
They had profoundly miscalculated.
Margaret had initially given McCarthy every benefit of the doubt. He was a fellow Republican. His allegations were serious. Surely he had evidence. Surely this was legitimate oversight, not something uglier.
She asked him privately to show her his proof.
He showed her nothing. He had nothing.
And in that moment, Margaret Chase Smith understood exactly what was happening — and exactly what the silence of sixty-three male colleagues was allowing to happen. She described it later as "mental paralysis and muteness." Grown men, rendered speechless by terror.
She made her decision.
She would rather lose her seat than lose herself.
Working quietly with her aide, she drafted what she called a "Declaration of Conscience." It was calm. Measured. It never mentioned McCarthy by name. It didn't need to. Every word was aimed precisely at what he was doing — and at what Washington's silence was making possible.
"The American people are sick and tired of being afraid to speak their minds lest they be politically smeared."
She approached colleagues she respected. Men who she believed still had the courage their reputations claimed. They read the declaration. They nodded. They told her she was absolutely right.
And then they explained, one by one, why they couldn't sign it.
"Margaret, you're right — but I can't afford to make him an enemy."
Six eventually stood with her. Others offered private support and public invisibility — the particular cowardice of men who know what is right and calculate that someone else should do it.
The morning of June 1st, Margaret walked to the Senate floor.
At 3:00 p.m., she began speaking.
She did not shout. She did not perform outrage. She spoke the way someone speaks when they have decided the truth is more important than the consequences of telling it.
She spoke about fear. About what fear does to a democracy when it goes unchallenged. She named what she called the "Four Horsemen of Calumny" — Fear, Ignorance, Bigotry, and Smear — and she described in precise, quiet detail the machinery that had been using them.
McCarthy sat in his chair as she spoke, his face slowly reddening.
Then he stood up and walked out.
When Margaret finished, the chamber was silent.
Then the letters came. Thousands of them — from teachers and librarians and federal workers and ordinary Americans who had been watching the same thing she had watched, who had felt the same thing she had felt, but who had no Senate floor to stand on. They wrote to say: thank you for saying it out loud.
McCarthy's response was swift. He stripped her of her committee position. He mocked her publicly. He recruited and funded a primary challenger specifically to remove her from the Senate.
She won her 1954 primary by a landslide.
And McCarthy's power — which had seemed absolute, permanent, unchallengeable — began, quietly, to break.
The "Declaration of Conscience" didn't end McCarthyism that afternoon. It took four more years, a televised hearing, and an army lawyer named Joseph Welch asking the question that finally finished him: "Have you no sense of decency, sir?"
That moment lives in history books as McCarthy's fall.
But Margaret Chase Smith had said it first. Four years earlier. When there was no television audience. No national momentum. No safety in numbers. When it cost something real.
On December 2, 1954, the Senate formally censured Joseph McCarthy. He never recovered. His reign of terror was over.
Margaret Chase Smith served in the Senate for twenty-four years. In 1964, she became the first woman formally nominated for president by a major political party — not as a symbolic gesture, but as a legitimate candidate who had earned the respect of colleagues who had once dismissed her as a curiosity.
When reporters asked what she most wanted to be remembered for — not the legislation, not the nomination, not the decades of service — she didn't hesitate.
June 1, 1950. The speech. The fifteen minutes.
She died in 1995 at ninety-seven years old. Every obituary mentioned the Declaration of Conscience first.
Because in a building full of powerful men who had decided that survival mattered more than truth, one woman did the arithmetic differently.
She had no seniority.
She had no protection.
She had no guarantee she would survive it politically.
She had something that turned out to be worth more than any of those things: the settled, quiet, unshakeable decision that she would not let fear have the final word.
McCarthy destroyed careers with accusations.
She destroyed his power with fifteen minutes of calm.
No raised voice. No dramatic gestures. No army at her back.
Just a woman who had decided, somewhere in the marble hallways of a terrified city, that the truth was still worth saying out loud.
Even if she had to be the only one willing to say it.

06/09/2026

"250 years ago today, a man with four fingers missing from his left hand stood up in a sweltering Philadelphia room and said the words that could have gotten him hanged.
It is June 7, 1776. The Pennsylvania State House. The windows are shut against eavesdroppers despite the summer heat. Richard Henry Lee of Virginia rises from his chair.
He knows how to hold a room. They call him the American Cicero. Years before, a hunting gun had exploded in his hands and taken the fingers of his left hand clean off — and ever since, he has worn a wrapping of black silk over the ruin. He has learned to use it. When he speaks, he lifts that shrouded hand and lets the dark silk fall, and every eye in the room follows it.
Today he lifts it, and he reads three sentences.
The first is the one that changes the world: ""Resolved, That these United Colonies are, and of right ought to be, free and independent States, that they are absolved from all allegiance to the British Crown, and that all political connection between them and the State of Great Britain is, and ought to be, totally dissolved.""
He is not asking a question. He is proposing that thirteen colonies stop being British.
John Adams seconds it before Lee has fully returned to his seat.
And then — nothing happens.
This is the part almost everyone forgets. There was no roar, no signing, no leap. Congress looked at what Lee had just put on the table and flinched. They voted to wait. Several delegations had no authority from home to take so enormous a step. Some men wanted alliances and a plan of confederation settled first. And some were simply afraid. They called a recess so the delegates could ride home and ask their people the unaskable question: are we ready to commit treason together?
Because that is what it was.
Every man who would eventually say ""aye"" understood the arithmetic exactly. There was no legal independence yet, no nation, no army that had won anything decisive. There was only a king with the largest military on earth and a very long memory. If the war was lost, the document they were debating became a confession. The punishment for that confession was a rope.
They knew it. They debated anyway.
The next day, Congress appointed a small committee to draft a statement explaining the decision, should they ever find the nerve to make it — Jefferson, Adams, Franklin, Sherman, and Livingston. They handed the pen to the quiet Virginian, Thomas Jefferson. The famous parchment we frame on walls and read aloud every Fourth of July was, in a sense, the footnote. It exists to justify Lee's motion. The motion came first.
And here is the detail that ought to be carved somewhere.
When the final vote on independence finally came, on July 2, 1776 — Richard Henry Lee was not there.
His wife had fallen ill. Virginia was building itself a new government and needed him home. So the man who stood up and proposed American independence climbed onto a horse and rode away before the question he'd asked was ever answered. Adams stood in for him and carried the argument across the line.
He proposed it.
He didn't cast the vote for it.
He never seemed to mind who got the credit.
The resolution passed on the second of July. Adams was so certain that date would be remembered forever that he wrote home predicting Americans would celebrate it for all time with bonfires and parades. He was off by two days. We kept the fourth — the day the explanation was approved — and let the seventh, the day a man first dared to say it out loud, slip quietly out of the calendar.
But the courage was never really in the parchment.
The courage was in being first. In standing up in a closed room, lifting a maimed hand, and reading three sentences that made you a traitor the instant they left your mouth — with your name attached, in front of witnesses, before a single other colony had promised to stand with you. Then trusting that strangers would find the same nerve, and finish what you'd started, even if you weren't in the room to see it.
So next month, when the fireworks go up, you might think of an earlier evening. A hot day in June. A man who had already lost part of himself, raising what was left of his hand and betting his life that other people would be brave enough to agree with him.
The question he asked that day was never really about Britain.
It was the same question every generation eventually has to answer for itself: when the right thing is also the dangerous thing, and someone has to say it first —
would it have been you?"

06/09/2026

The Soule family of Plympton was one of colonial New England’s most prolific gravestone-carving dynasties, with four generations producing markers across southeastern Massachusetts and Cape Cod during the eighteenth and early nineteenth centuries. Their stones are known for distinctive soul effigies—winged faces representing the soul’s journey after death—along with Medusa-like heads, stylized wings, urns, willows, and rising-sun motifs. Working primarily in slate, the Soules helped shape the transition from the stern death’s-head imagery of the Puritan era to the more hopeful soul-effigy carvings that became common in New England cemeteries. Their work can still be found in burying grounds throughout Plymouth County, the South Shore, and Cape Cod, where the family’s unique carving styles remain recognizable more than two centuries later.

06/08/2026
06/08/2026

Fall River had its own mystery long before true crime podcasts were a thing.

Back in the early 1830s, a skeleton was reportedly found near what is now the Hartwell and Fifth Street area, close to the old gas works. The strange part? It was described as being buried in a sitting position, with brass or copper pieces, including a breastplate-like ornament, a belt made of small brass tubes, and metal arrowheads.

People argued over what it meant. Some old theories got wild, including claims that it could have been tied to ancient explorers. The more grounded historical view is that it was likely a Native American burial, possibly connected to the Wampanoag or Narragansett people.

But here is where Fall River makes the story even stranger.

The skeleton was later displayed at the Fall River Athenaeum, then lost forever when the Great Fire of 1843 destroyed the building. That means no modern testing, no final answer, and one very weird piece of Fall River history stuck between fact, mystery, and legend.

Even Henry Wadsworth Longfellow was inspired by it and wrote a poem called “The Skeleton in Armor.”

Fall River history does not whisper. Sometimes it crawls out of a sandbank wearing brass.

What do you think this was, ancient mystery, Native burial, or one of Fall River’s strangest unsolved stories?

*Image created with AI based on historical searches.


06/07/2026

Two of Middleborough's most famous historical residents, Charles Stratton (Gen. Tom Thumb) and his wife, Lavinia Warren, around the time of their fabled marriage in 1863 in New York City.

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02360

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