Van Cortlandt House Museum

Van Cortlandt House Museum Van Cortlandt House Museum - where history lives in The Bronx!

Since 1896, Van Cortlandt House Museum has been under the stewardship of The National Society of Colonial Dames in the State of New York through a license agreement with the City of New York. The Society is responsible for preserving and restoring the interiors, providing and caring for the collections, offering educational opportunities to school children throughout New York City, and assuring that the doors to Van Cortlandt House are open to visitors 5 days a week all year round.

The Ecology of Van Cortlandt Park: Past to PresentSunday, September 13th | 1-2:30PMJoin the Urban Park Rangers, Van Cort...
09/07/2026

The Ecology of Van Cortlandt Park: Past to Present
Sunday, September 13th | 1-2:30PM

Join the Urban Park Rangers, Van Cortlandt Park Alliance, and Van Cortlandt House Museum for a special collaborative tour.

The land we know as Van Cortlandt Park has a long history, with deep human impact on its ecology. From indigenous Lenape land, to colonial plantation, to flagship park, Vanny continues to evolve today, with daily stewardship, natural area restoration, and the city’s largest green infrastructure project to date: Daylighting Tibbetts Brook. Join us for a special collaborative tour digging into this fascinating topic.

Participants are advised to prepare for a slow walk on trails with uneven surfaces.

Register via Eventbrite.

Don't miss this month's events!Special Tour: The Ecology of Van Cortlandt ParkSunday, September 13th | 1 PMJoin the Urba...
09/05/2026

Don't miss this month's events!

Special Tour: The Ecology of Van Cortlandt Park
Sunday, September 13th | 1 PM

Join the Urban Park Rangers, Van Cortlandt Park Alliance, and Van Cortlandt House Museum for a special collaborative tour.

Between Enemy Lines: A Revolutionary War Hike
Saturday, September 26th | 1 PM

During the American Revolution, the land that would become Van Cortlandt Park was caught between enemy lines, as were the people that lived there. This walking tour of Van Cortlandt Park and its environs narrates the most violent, dramatic eight years in the history of The Bronx.​

18-Century Entertainments & Raree Show
Sunday, September 27th | 12 PM

Join historical interpreters Dawn Elliott and Joel Schlemowitz for an afternoon of authentic eighteenth-century toys, games, and amusements. The highlight of the day will be an Dutch raree show, an early form of the mechanical peep show.

For more information, visit vchm.org.

VCHM’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

09/04/2026

Follow in Washington’s footsteps ... by grabbing a slice of pizza or a bacon egg and cheese.

From the diary of Major General William Heath, dated September 4th, 1776: “General Washington Dined at my Quarters ... the Enemy are Plundering the Cattle etc on Long Island — We have Still a Large Body of Militia on Long Island ...”

The Battle of Brooklyn was lost, and the Continental Army was on the move. Having been ordered to take command of the fortifications at Kingsbridge, Heath made his headquarters at the residence of Frederick Van Cortlandt II — the so-called “Upper Cortlandt” house, near the corner of present-day 238th Street and Waldo Avenue in the Bronx. Battles aside, Heath seems to have enjoyed his surroundings; in a diary entry dated the 19th of August, he describes "Mr. Courtlands House" as "a Pleasant situation". George Washington himself dined with him there on the 4th of September, 1776.

The Upper Cortlandt house has since been demolished. Today, in its place, you’ll find neighborhood fixtures like Goodfellas pizzeria and Jasper’s Deli.

Learn more at VCHM.

Images:
Background: William Heath papers (Massachusetts Historical Society).
Foreground: Washington at Princeton (selection), C.W. Peale, 1779 (Art Museums of Colonial Williamsburg).

09/02/2026

250 years ago, your neighborhood may have been a warzone.

On September 2, 1776 — days after the Continental Army’s retreat from Long Island following the Battle of Brooklyn — General William Heath and two contingents of American troops were stationed at King’s Bridge, in what is now the Bronx.

Writing to the Continental Congress one week later, Commander-in-Chief George Washington reported that he was sending 9,000 troops northward to reinforce the area: “The post at Kingsbridge is naturally strong, and is pretty well fortified: the heights about it are commanding, and might soon be made more so.”

The Van Cortlandt House lay just north of this increasingly militarized landscape. As the British prepared to advance on Manhattan, the roads, crossings, fields and farms of the Bronx would soon become part of the Revolutionary War’s front line.

Learn more at VCHM!

Images:
Background: Disposition of British troops, with fortifications north of Fort Knipehausen, i.e. Fort Washington to Fort Independence, J. Montrésor, 1778 (Library of Congress).
Foreground: An American Officier [sic] & An American Soldier, F. von Germann, c. 1788 (NYPL).

09/01/2026

Overlapping Empires, the first contemporary art exhibition in the history of Van Cortlandt House Museum, has officially closed.

Samantha Box’s site-wide, multi-media installation effected a radical intervention in this, New York City’s oldest historic house museum, bringing photographic, sonic, and installed elements into dialogue with its many layered histories. We would like to express our sincere gratitude to Samantha, for sharing her artistic vision with VCHM — and to all those who participated in the exhibition, for contributing to a summer of conversation and new perspectives.

Pictured: Construction 1(1), 2018.
Audio: Hum, 2024 (by Charlie Rauh Charlie Rauh).

Photo credit: Samantha Box Samantha Nalini Box.

Overlapping Empires was supported, in part, by public funds from the New York City Department of Cultural Affairs NYC Dept of Cultural Affairs in partnership with the City Council. VCHM’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

VCHM will be closed from Wednesday, September 2nd through Friday, September 4th for the deinstallation of Overlapping Em...
08/31/2026

VCHM will be closed from Wednesday, September 2nd through Friday, September 4th for the deinstallation of Overlapping Empires. The Museum will resume regular public hours on Saturday, September 5th.

Thank you for your patience as we conclude this large-scale, site-wide exhibition!

VCHM would like to thank everyone who came out for our artist-led walkthroughs of Overlapping Empires. We’re proud to ha...
08/28/2026

VCHM would like to thank everyone who came out for our artist-led walkthroughs of Overlapping Empires. We’re proud to have welcomed so many visitors into conversation with Samantha Box and her work over the course of the exhibition.

Overlapping Empires closes this Sunday, August 30th. Don’t miss your chance to take in the first contemporary art installation in the history of VCHM, and to experience the Bronx's oldest house in an entirely new way.

This program was supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. VCHM’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

08/28/2026

In this series, we offer a closer look at the pieces featured in Overlapping Empires, Samantha Box's site-wide installation at VCHM.
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Quarters of the African and African-descended People Enslaved by the Van Cortlandt Family
Van Cortlandt House Museum

On view: Transport Family Portrait, 2020; Navel, 2022.
Audio: Hum, 2024 (by Charlie Rauh).

These rooms are suffused with magenta light, and knit together with Hum, a sound piece by Charlie Rauh; appearing as reverberations throughout the House, these two non-embodied articulations of lives, histories and movements towards freedom of the enslaved African and African-descended people are revealed to have their source within these chambers. Transplant Family Portrait points to the ways in which those who have been caught in the currents of global transportation of knowledge and labor have created safety nets of survival under the shadow of a capitalist system which reduces them to commodities. Navel presents a definition of freedom and power that stands in opposition to the definitions of freedom and power and wealth held by the enslaver – freedom to gain wealth and power through commerce, freedom to own people – as delineated in the luxury goods populating period rooms of the House. The form of a cowrie shell, a potent and multi-faceted African and African-diasporic symbol of spirituality and power, stands in an imagined landscape inflected by movement and transport, over which the inescapable shadow of capitalism remains. There is, as expressed in Navel’s inset image, movement towards agency, a non-commodity based notion of freedom: freedom from enslavement, and the echoes of enslavement that still bind.

Text credit: Samantha Box Samantha Nalini Box

This program was supported, in part, by public funds from the New York City Department of Cultural Affairs NYC Dept of Cultural Affairs in partnership with the City Council. VCHM’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

Objects in Focus 🔍 From the Collections SpecialistSporting Couple with dogs. Polychrome soft-paste porcelain. Wm. Duesbu...
08/26/2026

Objects in Focus 🔍 From the Collections Specialist

Sporting Couple with dogs. Polychrome soft-paste porcelain. Wm. Duesbury, Chelsea Derby, c. 1770. Likely an assembled pair.

Two figures: a man and woman with their dogs. The man holds the barrel of a r***e and rests on a vine- and flower-covered stump. He and his dog sit atop a domed base adorned with gilt rococo scrolls. The man wears a black hat, purple fur-lined coat, patterned waistcoat, and red breeches; a powder flask is slung over his right shoulder. His companion stands with her right hand on a seated greyhound, and her left hand holding a bird. She wears a green fur-lined coat, orange waistcoat, purple skirt decorated with flowers, and is crowned by a feathered, rose-colored hat. Green leaves as well as pink and white flowers decorate a domed base touched with green and gilt scrolling.

The sportsman and his companion are presented here in a moment of dynamic movement. The elegant twist of their bodies, and of the swirling gilt ornamentation surrounding them, exemplify the s-curve or ‘line of beauty’ valued in rococo aesthetics.

Highly collectible even in the 18th century, these figures are rare survivors. Early porcelain goods were aimed at the higher end of the marketplace and therefore were carefully molded, glazed, and enameled. As the market expanded to include middle-class consumers, the type and quality degraded.

NSCDNY Purchase, March 1956, D.M.T.P Manheim / 46 East 57th St/ New York City.

On view in the East Parlor.

Address

6036 Broadway
The Bronx, NY
10471

Opening Hours

Wednesday 11am - 4pm
Thursday 11am - 4pm
Friday 11am - 4pm
Saturday 11am - 4pm
Sunday 11am - 4pm

Telephone

+17185433344

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