Horizons Leadership Project

Horizons Leadership Project Horizons Leadership Project is a youth empowerment and social change organization. In New York City, 49% of black men are unemployed.

The Horizons Leadership Project (Horizons) is a full-service youth program located in Brooklyn, N.Y., which primarily serves young African-American boys from families that are struggling economically. As is the case with many such young men in New York City, they face a number of barriers to healthy, productive and happy lives. These barriers include:

• Extremely low high school graduation rates:

Even though the national graduation rates for African-American boys is at a disturbingly low 48%, that is still nearly twice as high as the rate of 24% in NYC. (* From the 2025 Campaign for Black Men and Boys)

• Disproportionate and devastatingly high rates of fatal disease: 40% of black men die prematurely from cardiovascular disease as compared to 21% of white men, and black men are 5 times more likely to die of HIV/AIDS (* From the 2025 Campaign for Black Men and Boys)

• Overexposure to the criminal justice system: Currently, more than 2 million people are incarcerated in the United States, and black men make up nearly 50% of that population. Nationally, 46% of prison inmates and 42% of jail inmates are black, yet blacks are only 12% of the overall population (* From the 2025 Campaign for Black Men and Boys). Horizons is also looking to properly prepare the young people in the program to deal with an issue that will challenge many of them throughout their lives which will be the difficulty of obtaining a quality living wage job.
• The impact of the current economic context on black men and boys is stark. At the beginning of the 1990s economic expansion, the unemployment rate for blacks was 12.7%; by comparison, whites had an unemployment rate of 5.0%. (* From the 2025 Campaign for Black Men and Boys). When looking for solutions to address these and the myriad issues that always confront youth, the founders of Horizons believe that there are six essential areas that need to be addressed in order to provide a young person with the best chance to succeed. They are cognitive, social/emotional, physical, ethnic identity, civic and career development. By helping to increase access to a quality education, while also offering guidance, support and opportunities we hope to provide the young people who participate in our programs with life-long tools that will be essential for self-empowerment and success. To accomplish this, Horizons will rely on its committed staff and partnerships with other agencies to provide high-quality workshops, mentoring programs and then will couple this with exposure to a strong group of positive peers. In order to attract and retain the young people Horizons will offer high quality free athletic and arts programs. These programs will meet the participants were their passions are and strive to use them to teach the participants important life lessons. The founders of Horizons believe that once the young people in the program are fully committed and challenged to raise their expectations that there is a great chance that they will realize the potential that exist in their minds and bodies. To this end, Horizons is committed to promoting academic success and effectively preparing the young people to enter the various career pipelines of interest. The program will also work to increase the awareness and appreciation of the diversity that exists in our city, as that is an essential step in helping them to become valuable members in our society. Horizons will also provide its young people with information and training that will build essential leadership and organizational skills. The leadership of Horizons will use its vast networks in order to bring in resources and support for the program. Horizons will be staffed by a combination of paid staff and volunteers. The program will also regularly bring in topic experts to work with the young people in the program. Horizons is a 501c3 not for profit organization. To this point grassroots efforts have funded the program.

A young kid looked at me walking up a hill last week a randomly said “what’s up old school”…
03/30/2026

A young kid looked at me walking up a hill last week a randomly said “what’s up old school”…

Feeling vintage now 👵👵

I love this.
03/30/2026

I love this.

For nearly half a century, one man lived inside a giant yellow feathered suit so that millions of children around the world would never feel alone.

His name was Caroll Spinney.

Spinney had been a puppeteer for years before Sesame Street came along. He had done local television in Boston, performed at small festivals, and tried hard to build a career in a world that didn't make space for people like him. He was talented, but he hadn't found his moment. Then, at a puppetry festival in Salt Lake City in 1969, a performance went badly wrong. The lighting failed, the film projections didn't sync, and Spinney stood on stage in front of an unraveling show.

When it was over, a man came backstage and said five quiet words: "I liked what you were trying to do."

That man was Jim Henson.

Henson offered Spinney a role on a new children's television show about to launch on PBS. Spinney said yes immediately. The show was Sesame Street. The character he was given was a large, eight-foot-tall yellow bird named Big Bird. And at first, it simply wasn't working.

The original Big Bird was goofy and clumsy — almost like a country bumpkin in feathers. Spinney felt it. The scripts were thin, the character felt hollow, and by the end of his first year, he was on his way to Henson's office to resign. In the hallway, he crossed paths with Kermit Love — the puppetmaker who had built the Big Bird costume. Love convinced him to stay one more month and give it one more try.

That one month changed everything.

Spinney made a decision that no one told him to make. He stopped thinking of Big Bird as a clumsy adult character and started thinking of him as a child — a big, gentle, curious child who was experiencing the world for the very first time. The movements became slower and more innocent. The voice became warmer and softer. Big Bird stopped performing and started wondering. He became someone who didn't understand why things were the way they were, who asked questions that adults had long since stopped asking, and who felt things openly and without embarrassment.

The producers noticed immediately. Scripts began pouring in centered on Big Bird. The character became the emotional heartbeat of the street.

But the moment that showed the world who Big Bird truly was came on Thanksgiving Day, 1983.

Actor Will Lee, who had played Mr. Hooper — the kind, bow-tied storekeeper — since the very first episode, had died of a heart attack in December 1982. He was 74. The producers faced a difficult choice: write him out quietly, recast the role, or do something that no children's television show had ever dared to do — tell the truth.

They chose the truth.

Working with child psychologists and experts in grief, the writers crafted an episode in which Big Bird draws pictures of his friends as gifts, and when he gets to Mr. Hooper's picture, the adults must explain to him that Mr. Hooper has died and will not be coming back.

The episode aired on Thanksgiving Day so that families would be home together to watch it and talk about it afterward.

Inside the feathered suit, Caroll Spinney performed Big Bird's confusion and grief with such honesty that the adult cast members around him were visibly in tears during filming — not as actors, but as real people who had loved and lost a real friend. The episode won a Peabody Award and was selected by the Daytime Emmys as one of the 10 most influential moments in daytime television history. Decades later, people were still approaching cast members on the street to say: "That episode helped me explain death to my child."

This was the power of what Spinney had built.

Behind the scenes, the physical reality of playing Big Bird was extraordinary. Spinney had to hold one arm raised inside the costume's head for hours at a time, operating the beak while surrounded by hot studio lights, unable to see directly in front of him. In 2015, the demands of the costume became too much for his aging body, and he handed the physical role to another performer — though he continued to provide Big Bird's voice until his official retirement in October 2018, after 49 years.

He performed Big Bird and Oscar the Grouch on more episodes of Sesame Street than any other cast member in the show's history.

Caroll Spinney passed away on December 8, 2019, at the age of 85.

Millions of children grew up feeling understood, included, and less afraid of the world — because one man, inside a hot feathered suit, decided to perform a giant yellow bird not as a character, but as a feeling.

He nearly quit in his first year.

Instead, he stayed — and gave the world something it didn't know it needed.

Thank you Bruce for putting to words the thoughts and feelings that flow through me every day.
10/25/2024

Thank you Bruce for putting to words the thoughts and feelings that flow through me every day.

Bruce played a set of three songs:Promised Land- little speech why he supports Harris/Walz - Land Of Hope Add DreamsDancing In The Dark (the entertaining part)

A little more of what some principled Republicans want you too remember when you cast your vote.
10/18/2024

A little more of what some principled Republicans want you too remember when you cast your vote.

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You're invited to Halloween Fundraising Party - Click here to RSVP

08/19/2015
2015 Summer Academy
08/02/2015

2015 Summer Academy

08/02/2015

2014 Summer Basketball Academy

Shoutout to our guest Ramon Williams for adding a little Fun to our Friday.
08/01/2015

Shoutout to our guest Ramon Williams for adding a little Fun to our Friday.

Big thanks to Sean Scott from the American Heart Association for coming in to teach our kids  . Now we know what to do i...
08/01/2015

Big thanks to Sean Scott from the American Heart Association for coming in to teach our kids . Now we know what to do if someone around us suffers from a cardiac arrest!

Address

New York, NY
11215

Opening Hours

Monday 9am - 5pm
Tuesday 9am - 5pm
Wednesday 9am - 5pm
Thursday 9am - 5pm
Friday 9am - 5pm
Saturday 9am - 5pm
Sunday 9am - 5pm

Telephone

+17183443178

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