CENTRAL FINE, 36 NE 54 Street, Miami, FL (2026)

09/07/2025

“anoche no dormí (HEADBOARD)”, 2024-2025
Color pencil, oil, and chamomile, on wood and aluminum panel.

Photography by the artist, courtesy of the artist and CENTRAL FINE, ©️ by the artist.

ZELMIRA RIZO. CABLE A TIERRA
September 14 – October 14, 2025

Public Opening: Sunday, September 14, 2025; 5-8 PM
Preview: September 12, 2025; 11-5 PM
CENTRAL FINE; 36 NE 54th St, Miami, FL 33137.

Please note our change of Address!

Inaugurating our new space in Little Haiti, CENTRAL FINE presents Zelmira Rizo’s second solo exhibition with the gallery. The following text shares a part of the the artist’s introductory remarks:

“I approach drawing (v.) as a practice that moves, sweats, and performs on the platform or stage that is a wood panel, canvas, a wall, the floor, a page. It is like automatic writing and somatic movement. A phrase, feeling, or question opens and guides the unfolding of a piece. It usually becomes its title.

On this platform, figuration and abstraction are records of movement, modes of mark-making that embody my conceptual and material explorations: to collapse and build figure and space, image and material, into entities that “touch,” that exist in greater awareness of their connection and similarity, than of their ‘boundaries’ and difference...”

04/01/2025

Zelmira Rizo with her work, currently on view, at “El Otro Pozo Ciego/ Night Vision” . Scroll —>

A few words by follow:

“I ‘introspect’ attuning to the body to “draw out” pulses, images, and information that would otherwise remain latent.”

“…The marks and compositions that unfold hold a mirror and generate new vocabulary and structures for perceiving, interpreting, and articulating the pressure in my chest, the tension in my neck and back, the congestion in my head….translating and mapping feeling into form while digesting it.”

Zelmira Rizo
“Anoche no dormí”
2024
Color pencil and oil on linen, over wood panel
48 x 36 in
121.9 x 91.4 cm

First photo by Zachary Balber and the second photo by Logan Fazio

©️ zelmira rizo courtesy of the artist and CENTRAL FINE.

03/29/2025

Tomm el-Saieh and Constanza Schaffner’s works are now on view at Art Basel HK Booth 3D05.

More info follows:

Luhring Augustine is pleased to participate in Art Basel Hong Kong 2025 with a selection of works by Lygia Clark, Sarah Crowner, Tomm El-Saieh, Mark Handforth, Eva LeWitt, Kim MacConnel, Ritsue Mishima, Yasumasa Morimura, Mohammed Sami, Constanza Schaffner, Salman Toor,
and Christopher Wool.

Visit Booth 3D05 on March 26-27 (VIP Days) and
March 28-30 (Public Days). More information can be found at the link in ‘s bio.

Photos courtesy of
©️ the artists

03/26/2025

“MASA and Luhring Augustine are pleased to announce that their second collaborative exhibition has been extended through April 12, 2025.

Installed throughout MASA’s historic Mexico City space, “MASA + Luhring Augustine Vol. 2,” highlights the work of six artists and designers from both gallery programs. Across three rooms are installed a trio of pairings of artists - Pipilotti Rist and Alma Allen; Eva LeWitt and Hector Esrawe; and Diego Singh and Renata Petersen.

Although there are affinities between the works, the dialogues between artists from Mexico and their international counterparts are associative rather than didactic, and unexpected encounters among recognizable idiosyncrasies arise.

Visit the link in , to learn more about the exhibition or to book an appointment.”

Installation views courtesy of and
Individual photography for Diego Singh, by Zachary Balber
©️ the artists

Augustine

03/19/2025

Some installation views from our current presentation (go to the web to see them all!.)

Photography by Zachary Balber
©️ the artists

03/13/2025

Great night with Incubators, and for hosting such a fun visit! Thank you, for orchestrating such a remarkable night!

Support your artistic communities ❤️🥁🥁🥁🥁

03/11/2025

Notes about Mar Peréz’s work by Ana Volonté .

“…Su trabajo a través de más de veinte años de producción aparece y desaparece manifestándose en diferentes lenguajes como el cine, la música, el teatro, la pintura. Esa emergencia experimental, intermitente y manifiesta en saltos tiene un hilván, construye un relato a través de las supervivencias en su propia obra: planos de color, invensión de paletas, pequeños rincones de figuración delicada. La expedición dorada desbarata el género, es puro paisaje natural y psíquico, no admite nombre ni definición.

Esta nueva aparición de Mar Perez deja que se ilumine una posibilidad instantánea y liminal de la pintura académica o folclórica. Las enciclopedias aprendidas en el plagio de las fotocopias, permiten una apropiación parcial de las referencias oficiales de la pintura, se las recicla en un anclaje local que le pierde el respeto a las referencias y las usa para retratar los amores que indican fugazmente los hitos de su propia historia.”

Ana Volonté, noviembre de 2024

…” His work appears and disappears, manifesting itself in various forms, including cinema, music, theatre, and painting. This experimental and intermittent approach emerges in leaps that serve as a thread, constructing a narrative of diverse survivals within his oeuvre: planes of color, invented palettes, and small corners of delicate figuration. The golden expedition transcends genre; it represents a pure natural and psychic landscape that resists categorization or definition.

This new manifestation of Mar Perez illuminates an instantaneous and liminal possibility for academic or folkloric painting. The encyclopedias learned through the appropriation of photocopied materials enable a partial assimilation of the official references of painting, which are then recycled within a local context. This process diminishes the reverence for certain references and employs them to depict the fleeting loves that subtly mark the milestones of his own history…”

“Le diable”
Oil on panel
27.5 x 43 in
2024

“Le monde”
Oil on panel
28 x 36 in
2024

Photos by Phillip Karp and

03/10/2025

Thank you to the artists and everyone for coming to the presentation last night!

Photos by ❤️

03/09/2025

Today, We open 5-8 PM, “El Otro Pozo Ciego / Night Vision” with Leonor Fini, Alina Neyman, Mar Pérez, Zelmira Rizo and Lucrecia Zappi.

A presentation planned with the incredible assistance of .galeriadearte & both from Salta, Argentina.

It took years of conversation with the artists, Matias Bassani Caro; and later with Guido Yannitto, and Gonzalo Elías. Thank you for helping us with this remarkable presentation!

Two of the artists will be with us for the opening. Come meet them, they are fantastic!

,

Photography by Phillip Karp and Zachary Balber
©️ the artists

03/07/2025

CENTRAL FINE is delighted to announce representation of Mar Pérez, in collaboration with Remota Galería .

What follows are notes on Mar’s work:

“….Oil-painted tarot cards by Mar Pérez, set against found and crushed cans, invoke themes of chance and the nomadic, embodying elements that float, yet remain elusive, discernible only through intuition. Mar refers to ‘The Arcane Without Name’ as a card of transformation and passage, proposing that the 13th card of the Major Arcana should serve as a new emblem for the Trans community. This card features a red heart positioned on the pelvis, its hue alluding to the decapitation of kings, outdated habits, and entrenched cultural constructs.

In some of his works, geometric volumes rendered in oil at low contrast, encircle figures such as “El Rey Momo”, a carnival character sporting a dildic nose, or a reclining figure, in a posture reminiscent of Goya’s nudes, meticulously overlaid with tarot imagery, surrounded by geometric planes that bring to mind mountains, panels in a set, in the taciturn light of the liminal and the unpredictable…

Diego Singh, 2025

Mar Pérez (b. Salta 1983, Argentina.)
He studied arts at the National University of Córdoba. Since then, Pérez began a sustained career in painting and his work can be seen in multiple individual and group exhibitions.

Simultaneously he creates multidisciplinary pieces from individual and collective practice, investigating and carries out strong work in theater from different roles, mainly from scriptwriting and direction, as well as acting, film production and casting. His performance in “Terminal Norte” (2021), a recent film production by Lucrecia Martel, stands out. Pérez is a musician and goes under the name Dptculos. He was part of the “La San Luis” theater company and the musical groups “Chinha”, “El Distancia Amarelo” and “Whiskey”.

He is a member of “Loro”, an artist duo with Mario Llullaillaco. He participated with Remota in ARCOmadrid 2024, along with Roxana Ramos and received the award for the best stand in the Opening section of the fair. Pérez currently lives in Salta, Argentina.

03/05/2025

Opening on March 9th, 5-8 pm: “El Otro Pozo Ciego / Night Vision”, a selection of works follows….

Mar Pérez
“Le Soleil”
Oil on panel, on artist frame
20 x 29 inches
2024

Leonor Fini
“The Visit”
Etching on paper
1972

Zelmira Rizo
“anoche no dormí” (detail)
2024
Color pencil and oil on linen, over wood panel
48 x 36 in.
2024

Lucrecia Zappi
“Hot topic in the tropics”
Oil, acrylic on linen, on aluminum stretcher
60 x 84 inches
2024-2025

Alina Neyman
“Demolición I”
Oil on panel
24 x 37 inches
1989

03/04/2025

Today is the last day to see “Squeeze Box” the impressive individual presentation by José Delgado Zúñiga from 11-5 pm.

Do not miss it!

Photography by Zachary Balber
©️ the artist
Courtesy of

CENTRAL FINE

09/07/2025

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