09/10/2020
Starting September 11, you can now also book a Session to experience Francisco López’s seventy minute composition HYPER-RAINFOREST, another West Coast premiere. This work is the product of over twenty years of recording from rainforests in Argentina, Australia, Brazil, China, Costa Rica, Cuba, Gambia, Mexico, Myanmar (Burma), New Zealand, Paraguay, Peru, Japan, Senegal, South Africa, USA, and Venezuela.
As LA dives into peak wildfire season, HYPER-RAINFOREST takes on resonance as a document of the connection and tension between our ecosystem and our built society. As with Hennix’s Soliton(e) Star, Lopez proposes to the listener a version of what audio is, what a microphone can represent, and what it means to listen through these tools to audio extracted from incredibly rich nature atmospheres. He asks that we not understand the work as simulating anything of the “there” he experienced making these recordings, but as a new hyperreality created by giving attention to the work as a listener.
López’s statement on the work:
“Rainforests are natural acousmatic environments: whereas they typically manifest an astonishing sonic variety and complexity, the sources of all those sounds are overwhelmingly invisible. ‘Hyper-Rainforest’ is an immersive sound work, presented in an installation form, that has been created from original environmental recordings carried out by the artist, along with an extensive and intensive experience of profound field listening, during a twenty-year period in rainforests all over the world. None of the sounds that can be heard in this work –even the most surprising and outlandish– have been processed or transformed. In stark contrast with the most traditional approaches of so-called field recordings, however, this work does not aim at reproducing or simulating any natural “reality” of those original locations. Instead, with a forceful compositional character, this work develops an elaborated and subtle form of hyperreality that strives to generate a self-sufficient sonic virtual world, solely created from those original recordings, with no transformation and with no added sounds, instrumental or otherwise." Read more/book: blackhole.la