Sony Post Production Services

Sony Post Production Services Post Production at Sony Pictures Studios. Take your project for a test drive at our state of the art digital post production and restoration facility.

Post Sound Production services include Sound Mixing, Re-Recording Theatres, Scoring Stage, Sound Editorial, Foley and ADR Conveniently located on the Westside of Los Angeles, Sony Post Production Services was built for filmmakers by Post Production professionals and is one of the largest, full service post production facilities in Hollywood. Sony Post Services offers ten fully equipped mixing stag

es, the world-renowned Barbara Streisand scoring stage, audio restoration and mastering suites, three ADR stages, three Foley stages, four sound design suites, hundreds of editing rooms, ProTools systems, AVID systems, and complete film and video transfer services. You’ll see why the industry is buzzing about our new technologies and workflows which are revolutionizing the Digital Intermediate industry. Sony Pictures Post Sound has award winning artists working on a wide variety of projects; from blockbusters films to lower budget and independent movies, to some of the finest television series and movies of the week made today. Some of the most memorable scores in movie history have been recorded on our legendary Barbara Streisand scoring stage. Whatever your project needs, we’ll work with you to customize a package to fit your production. Customer service and client comfort are our main concerns. At the heart of our operation is a consistent management team who will listen to and facilitate the needs of our clients. Filmmakers find our luxurious facilities to be a comfortable and peaceful environment to work in. Sony - your partner in post.

The preservation of original film is not lost on Sony. Read on to see how Grover Crisp (SVP of Asset Management, Film Re...
02/11/2015

The preservation of original film is not lost on Sony. Read on to see how Grover Crisp (SVP of Asset Management, Film Restoration and Digital Release Prints) is able to retain Sony's classics. http://bit.ly/1ChzLaW

Among major studios, Sony enjoys the best reputation both for making their archive available on 35mm film and for digital transfers, say many film curators and programmers.

Tom McCarthy, Executive Vice President of Sony Post Production Services, shares how technology drives workflow in POST M...
01/06/2015

Tom McCarthy, Executive Vice President of Sony Post Production Services, shares how technology drives workflow in POST MAGAZINE's Outlook 2015 >> http://bit.ly/1Dcbe9C

Post Magazine is dedicated to serving the most intensely dynamic segment of the entertainment industry: Post Production. Post magazine has over 25 years of experience covering this business.

See how Sony Pictures Post captured an extensive list of sounds for David Ayer's Fury via Postperspective: http://bit.ly...
12/01/2014

See how Sony Pictures Post captured an extensive list of sounds for David Ayer's Fury via Postperspective: http://bit.ly/1FJBqYa

By Jennifer Walden It’s rare for a director to stop a shoot for the benefit of the sound team, but then again it’s not every day that you have a rare WWII Tiger 1 tank on the set… the only operable Tiger 1 tank still in existence. Bringing in the real tank shows just how …

"...in post we add a bit of hyperreality to the real-world sounds, manipulate and tweak them in a way that more effectiv...
11/20/2014

"...in post we add a bit of hyperreality to the real-world sounds, manipulate and tweak them in a way that more effectively tells the story of the movie." - Fury Sound Designer Paul N.J. Ottosson. http://bit.ly/1t8T7bE

By Jennifer Walden Having three job titles on a film may seem like a huge undertaking, but it’s actually quite a natural flow — taking the reins at the starting gate and steering a film’s sound from the pre-production phase through the final mix of the sound effects. That’s just what Paul N.J. Ottos…

Sound Designer Paul N.J. Ottosson discusses how the sounds of battle for Fury came together: http://bit.ly/1yFLf50
11/14/2014

Sound Designer Paul N.J. Ottosson discusses how the sounds of battle for Fury came together: http://bit.ly/1yFLf50

David Ayer's "Fury" has some of the most harrowing tank battle sequences ever filmed. Paul N.J. Ottoson, the film's sound designer, tells us about crafting the sounds of battle.

Sound work for Antoine Fuqua's The Equalizer was completed by the Sony Pictures Post Production Services team: http://bi...
10/07/2014

Sound work for Antoine Fuqua's The Equalizer was completed by the Sony Pictures Post Production Services team: http://bit.ly/1xjdVAB

Post Magazine is dedicated to serving the most intensely dynamic segment of the entertainment industry: Post Production. Post magazine has over 25 years of experience covering this business.

Sony Pictures Post Production Services and Colorworks tackled post production for Sony Pictures' latest release, The Equ...
10/03/2014

Sony Pictures Post Production Services and Colorworks tackled post production for Sony Pictures' latest release, The Equalizer: http://bit.ly/1r9xvcX

Sony Pictures Post Production Services provided editorial facilities and technology to editor John Refoua and his picture editing team. It also provided sound editorial and sound mixing services through teams led by supervising sound editor Mandell Winter, sound designer David Esparza, and re-record…

Who you gonna call? Colorworks! For its 30th anniversary release, the team restored the beloved comedy classic, Ghostbus...
09/23/2014

Who you gonna call? Colorworks! For its 30th anniversary release, the team restored the beloved comedy classic, Ghostbusters: http://bit.ly/1x8nKnB

Restoration at Colorworks began by scanning the original 35mm camera negative at 4K. Scanned elements then went through a 4K restoration and color grading process resulting in a new 4K master. “As with all restoration projects, our goal was to reflect what was shot and the intent of the filmmakers,”…

SVP of Technology Bill Baggelaar will be speaking at the "More pixels or better pixels? Making the case for 4K or Ultra ...
09/10/2014

SVP of Technology Bill Baggelaar will be speaking at the "More pixels or better pixels? Making the case for 4K or Ultra High Definition" panel at IBC 2014: http://bit.ly/ZhfnrI

Welcome to IBC IBC2014 is the essential global meeting place for everyone engaged in creating, managing and delivering the future of electronic media and ,

Thank you to everyone who joined us in Mix Magazine's Sound for Film Conference at Sony Pictures. 'Til the next one!
09/08/2014

Thank you to everyone who joined us in Mix Magazine's Sound for Film Conference at Sony Pictures. 'Til the next one!

Read the full recap from this weekend's Mix Magazine Sound for Film Conference hosted by Sony Pictures: http://bit.ly/1o...
09/08/2014

Read the full recap from this weekend's Mix Magazine Sound for Film Conference hosted by Sony Pictures: http://bit.ly/1okLkVL

The Sony Studios lot hosted a series of panels featuring top audio professionals on Saturday. Members of the production and post communities were informed of the creative possibilities, new workflows and evolving technologies used to generate a more realistic and immersive total sound experience.

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