UNC Writing for the Screen & Stage

UNC Writing for the Screen & Stage Celebrating the 10th anniversary of the program's LONG STORY SHORTS ONE ACT PLAY FESTIVAL! English 130 is open to any student at the University.

Writing for the Screen and Stage Minor

Writing for the Screen and Stage celebrated its 10th Anniversary in the fall of 2013! We are living in a world in which dramatic content has an increasing effect on our lives. The minor in Writing for the Screen and Stage is an interdisciplinary program, created in 2003 to draw upon the faculties and resources of the Department of Communication Studies, the

Department of Dramatic Art and the Creative Writing Program of the Department of English and Comparative Literature. It offers undergraduate students the unique opportunity to focus specifically on the craft of dramatic writing and is designed for those considering writing careers in theatre, film, television or the web. APPLICATION REQUIREMENTS:

The MINOR is open to freshman and sophomore students. Those interested in the program must have a 2.4 GPA or better, and have taken one of: English 130 (Introduction to Fiction Writing), English 132H (Freshman Honors in Fiction Writing), Communication Studies 330 (Introduction to Writing for Film and Television) or Drama 231 (Playwriting I). English 132H is restricted to honor students. COMM 330 gives preference to COMM majors, so instructor permission may be required to enroll. Drama 231 requires permission from the department. In certain instances the pre-requisite may be waived upon approval of the program’s director. SUBMISSION PROCESS:

The submission package must include:

1) A cover letter, expressing the reasons for the student’s interest in the minor. Please also include, as listed:

Student’s name
PID #
Email address
Telephone number
Major/Minor
Intended year of graduation
Prerequisite status

2) A letter of recommendation from the student’s writing instructor.

3) One writing sample chosen from the following list…. A short story
The first chapter of a novel
A short screenplay
The first 25 pages of a feature-length screenplay
A one-act play
The first 25 pages of a full-length play
The first 25 pages of an original television pilot

Please email your cover letter & writing sample to: Writing for the Screen & Stage Director, Professor Dana Coen ([email protected]). Ask your writing instructor to email his/her recommendation DIRECTLY to Professor Coen. All materials need to be submitted between February 1st and February 28th, 2016. Applicants will be notified by March 27, 2016. CURRICULUM

Fall Semester of JUNIOR (or SOPHOMORE) Year

COMM 131/DRAM 131: Introduction to Writing for the Screen and Stage

DRAM 120: Play Analysis

Spring Semester of JUNIOR (or SOPHOMORE) Year

COMM 430: History of American Screenwriting

COMM 433: Intermediate Screenwriting

Fall Semester of SENIOR (or JUNIOR) Year

COMM 537: Master Screenwriting



COMM/DRAM 131, COMM 433 AND COMM 537 MUST BE TAKEN IN CONSECUTIVE SEMESTERS. The following courses are recommended but are not required to complete the minor

DRAM 331: Playwriting II

COMM 535: Introduction to Film Adaptation

COMM 334: Writing the One-Hour TV Drama

DRAM 135: Acting for Non Majors

COMM 335: Film Story Analysis





For additional information, contact:

Professor Dana Coen ([email protected]) (office: 204 Swain Hall)

Director, Writing for the Screen and Stage minor

Department of Communication Studies, CB # 3285

I'm pleased to invite one and all  to an East Coast reading of my play MORTAL SOIL on April 27th, 2PM at the UNC Media A...
04/09/2024

I'm pleased to invite one and all to an East Coast reading of my play MORTAL SOIL on April 27th, 2PM at the UNC Media Arts Space, 108 East Franklin St., Chapel Hill, NC.

Mortal Soil (Green Street) is the first of two finished plays in a proposed series of six Mortal Soil plays. All take place on the same date at the same time in different neighborhoods of the city of Boston and examine the nature of mortality as defined by each environment.

Free to the public. Open seating.

Hope to see you there!

The 12th annual Writing for the Screen and Stage LONG STORY SHORTS PLAY FESTIVAL, November, 4th and 5th.
10/20/2022

The 12th annual Writing for the Screen and Stage LONG STORY SHORTS PLAY FESTIVAL, November, 4th and 5th.

04/25/2022

THE SAINT-HAYDEN HUMANITAS AWARD, 2022

Taylor Riga

This award addresses age-old human concerns such as truth, liberty, moral purpose and respect for differences. Taylor Riga's script, “R.I.P. NAT MILLER” does a remarkable job of telling a story of su***de, depression, geriatric & palliative care, and loss while making you laugh. Her writing gently walks a tightrope without ever feeling forced. Such painful human stories are difficult to tell, but Taylor allows us to access to the pain of loss, while simultaneously exploring the beauty of life. The screenplay is an acknowledgment of life's randomness and the choice one has to decide upon hope. Many congratulations to a fine writer, a great student, and all-around terrific person.

Dr. Michael Acosta

04/25/2022

THE 2022 PILLER EXCELLENCE IN SCREENWRITING AWARD

Sydney Pope

Since I am retiring from Carolina and the WSS program, it was with pride, as my last public action, to present this year's award to an outstanding senior from the Writing for the Screen and Stage Minor, Sydney Pope.

Sydney brings an actor's eye to her writing, a performer's sense of purpose that naturally imbues her characters with dramatic urgency. This was on display in her short play for 2021's Long Story Shorts Festival in which a young woman, grieving over the loss of her grandfather, conjures up the male character of her favorite novel in an effort to find relief from the pressures of the outside world. Sydney, who played the lead character herself, brought the page to the stage with an author's perceptivity.

Her feature screenplay story, "Rough Diamonds," about a turn-of-the-20th-century runaway who joins an all-female, London, street gang feels authentic and historically accurate, despite her inability to time travel...yet. To that point, Sydney's an instinctive explorer, often reaching beyond youth and experience. Each project is simply another challenge, another hill to climb, another set of notes to address. She's a tireless re-writer, never losing faith, always pressing on, even when her instructors are shaking their heads. The lesson for them becomes clear over time...never doubt her ambition.

As Professor Michael Acosta writes....

"Sydney's script, “Rough Diamonds” is aptly named. Most of the drafting process felt... well rough. However, the final product was all diamonds. I was blown away with the work done to elevate this into a deep and engaging story. The re-write, which is currently underway, promises an even more entertaining, production-ready screenplay. I am proud to have been a small part of the process and think Sydney being recognized, reflects well on her diligence and devotion to craft."

Congratulations, Sydney. Consider this the first jewel in the crown of your future career.

Dana Coen

I'm proud to announce that five Writing for the Screen and Stage students were honored at The Department of Communicatio...
04/23/2022

I'm proud to announce that five Writing for the Screen and Stage students were honored at The Department of Communication Award Ceremony on Friday, April 20th.

Here are the results.....

The Piller Excellence in Screenwriting Award: Sydney Pope
The Saint Hayden Humanitas Award: Taylor Riga
The Special Initiative Award: Samantha Hines
Student Internship Awards: Imani Edwards and Maia Sichitiu

04/23/2022

The results of the student run Carolina Film Association Award ceremony are in and Writing for the Screen and Stage students pretty much swept the board! Congratulations to Maia Sichitiu, Taylor Riga, Imani Edwards and Caleb Schilly for their work on the films The Plug, Loss and Breakfast for Dinner.

Best Actor: Nathan Poesel as “Grady” in The Plug
Best Actress: Shelby Armstrong as “Carlee” in 20 Seconds
Best Supporting Actor: Jalen McCoy as “Shaun” in The Plug
Best Supporting Actress: Imani Edwards as “Anika” in Loss
Best Original Score: Caleb Schilly for Loss
Best Editing: Zack Edwards for The Plug
Best Cinematography: Evan Davison for Loss
Best Director: Taylor Riga for Breakfast for Dinner
Best Screenplay: Taylor Riga for Breakfast for Dinner
Best Picture: Loss

Writing for the Screen and Stage director Dana Coen will be delivering a presentation entitled "Dramatic Writing for the...
04/14/2022

Writing for the Screen and Stage director Dana Coen will be delivering a presentation entitled "Dramatic Writing for the Screen and Stage - Exploring the Fundamentals" at the WRITE NOW! conference in Raleigh, North Carolina on Saturday, April 30th at 2PM. If you're in the area, come check it out!

Former Writing for the Screen and Stage instructor Scott Myers' book "The Protagonist's Journey," has just been publishe...
04/09/2022

Former Writing for the Screen and Stage instructor Scott Myers' book "The Protagonist's Journey," has just been published by Palgrave. Note the information below. Scott is an outstanding teacher of screenwriting and delves deeply into the power of character-driven storytelling.

01/28/2022
Here's an excellent article from The Daily Tar Heel on this year's Long Story Shorts Play Festival, which closed last we...
11/04/2021

Here's an excellent article from The Daily Tar Heel on this year's Long Story Shorts Play Festival, which closed last weekend.

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204 Swain Hall, Univeristy Of North Carolina, CB 3285
Chapel Hill, NC
27599

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