Longfellow House - Washington's Headquarters National Historic Site

Longfellow House - Washington's Headquarters National Historic Site Welcome to Longfellow House - Washington's Headquarters NHS, a site of layered history and the arts! Visit www.nps.gov/longfellow to learn more.
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Longfellow House-Washington’s Headquarters National Historic Site preserves the home of Henry Wadsworth Longfellow, one of the world’s foremost 19th century poets. First built in 1759, this remarkable house bears witness to the history of slavery in New England, served as George Washington’s Headquarters during the Siege of Boston, was a 19th century hub of literary and artistic life, and reveals

LGBTQ+ experiences in the 19th and early 20th centuries. While this is an open forum, it is also a family friendly one, so please keep your comments and wall posts clean. In addition to keeping it family friendly, we ask that you follow our posting guidelines. If you don't comply, your message will be removed.

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-Finally, the appearance of external links on this site does not constitute an official endorsement on behalf of the U.S. National Park Service or the U.S. Department of the Interior.

Join us on Sunday, June 14 for the fifth annual Juneteenth Gathering! The Juneteenth Gathering is a free, all-ages event...
06/10/2026

Join us on Sunday, June 14 for the fifth annual Juneteenth Gathering! The Juneteenth Gathering is a free, all-ages event featuring live music, family activities, speakers, Juneteenth # Pop-Up Poetry (A Denise Plays Hard Event), historical displays, and light refreshments. This annual tradition honors those who endured slavery and seized freedom on Brattle Street 250 years ago, their descendants and the long history of Black freedom activism in Cambridge and beyond. Learn more: https://go.nps.gov/longfellowjuneteenth

History Cambridge Cambridge Historical Commission Minuteman Boston African American National Historic Site Christ Church Cambridge King's Chapel Pop-Up Poetry

Born   in 1844, Charles Longfellow, nicknamed Charley, was Henry and F***y Longfellow’s first child, growing up here in ...
06/09/2026

Born in 1844, Charles Longfellow, nicknamed Charley, was Henry and F***y Longfellow’s first child, growing up here in the Longfellow home.

Charley was always adventurous and inquisitive. After serving in the Union Army during the Civil War, he spent much of his life travelling and collecting (and being tattoed) globally. Many of the international objects found in the Longfellow House today were sent here by Charley in his travels. Charley also kept photos and journals on his trips still in the site's collections today.

Learn more about Charley and his experiences here: https://www.nps.gov/long/learn/historyculture/charles-longfellow.htm

Images:
-Charles Longellow, showing tattoos received while living in Japan
-Civil war uniform jacket in navy blue wool. Two holes - entry and exit points - are under the shoulders across the back. Inset journal entry, dated Friday, November 27, 1863: "Started early in the morning marched to New Hope Church had a fight with the reb. Cav. and infantry I got pluged [sic], was put in the pulpit of N.H. church."
-Studio portrait of Charles Longfellow wearing formal Japanese attire including a haori [jacket] with five "mon" (family crests - possibly incorporating his initials CAL).

"Saturday June th 8 To Day Genl Washington Arriv’d from Philadelphia to New York"In early June 1776, General Washington ...
06/08/2026

"Saturday June th 8 To Day Genl Washington Arriv’d from Philadelphia to New York"

In early June 1776, General Washington returned to New York after several weeks in Philadelphia with the Continental Congress. Moses Sleeper had traveled to New York City with his regiment in April. As Sleeper recorded Washington's return to New York on June 8, Washington was preoccupied with news that "the Troops at Boston are extremely uneasy and almost mutinous for want of pay (several months of which being now due)," as he wrote to John Hancock.

Read Sleeper's entries in his own words in an annotated full-text transcription on our website, or follow our social media for highlights as we continue reading Corporal Sleeper at 250.

We're open for the season and buzzing with activity at Longfellow House-Washington's Headquarters! Join us all summer to...
06/01/2026

We're open for the season and buzzing with activity at Longfellow House-Washington's Headquarters! Join us all summer to explore the historic house, enjoy live music and poetry, relax in the garden, and connect past and present. We can't wait to see you! Find the complete tour schedule here: https://www.nps.gov/long/planyourvisit/guidedtours.htm

"Wednesday May th 15 1776 Pleasant Weather No Remarks to Day Last Night had a Six Dollar Bill taken out of my Pocket"Wha...
05/16/2026

"Wednesday May th 15 1776 Pleasant Weather No Remarks to Day Last Night had a Six Dollar Bill taken out of my Pocket"

What does this partly scratched-out entry mean? The theft of a six-dollar bill – on the night he was paid – amounted to almost a month’s pay for Moses Sleeper. Does the stricken text indicate that the bill was found or returned?

Read Sleeper's entries in his own words in an annotated full-text transcription on our website, or follow our social media for highlights as we continue reading Corporal Sleeper at 250.

Join us this Sunday, May 17 to kick off the Longfellow Summer Arts Festival with the annual Student Poetry Awards! This ...
05/12/2026

Join us this Sunday, May 17 to kick off the Longfellow Summer Arts Festival with the annual Student Poetry Awards! This staff-favorite event celebrates young poets from around Massachusetts, who will read their original award-winning work.

The Longfellow Student Poetry Contest is an annual competition of original poetry, with categories for high school, middle school and elementary school students. The contest, run in partnership with the New England Poetry Club, encourages and celebrates young poets in exploring their craft. Details and entry here: https://www.nps.gov/long/learn/kidsyouth/student-poetry-contest.htm

Recent images of the moon from the Artemis II crew sparked comparisons with this large (21 x 15 inches!) albumen silver ...
05/01/2026

Recent images of the moon from the Artemis II crew sparked comparisons with this large (21 x 15 inches!) albumen silver print of the moon. This image represented the cutting-edge technology of 1865. The photographer, Lewis M. Rutherfurd, produced a series of images of the surface of the moon by attaching his camera to a telescope. Rutherfurd inscribed this print from a negative taken on March 6, 1865 to Henry W. Longfellow.

Rutherfurd's photograph shows the near side of the moon, featuring craters and the large dark "seas" (including the Sea of Tranquility, where Apollo 11 astronauts landed more than 100 years later).

The astronauts on Artemis II got a much, much closer look than Rutherfurd; they also took photographs not only of the near side but also the far side during their lunar flyby. The second image shown here (from NASA Artemis on April 6, 2026) captures some features of the near side, centered farther to the west from Rutherfurd's view.

POV: You work in a literary historic house museum.Our museum technician has been on the hunt for vibrant green 19th cent...
04/28/2026

POV: You work in a literary historic house museum.

Our museum technician has been on the hunt for vibrant green 19th century book covers that may contain arsenic. Yikes!

However, it's not just the covers you need to look out for. Arsenical and other poisonous pigments can be found in decorative onlays, textblock edges, bookcloth, labels, leather, marbled paper, end papers, interleaving papers, front and back boards, paper wrappers, and even book boxes! These two books from our collection have arsenic in their textblock edges, a feature most common in German printed works, like the two featured here.

While it's important to take precautions with these materials, the primary risks associated with them historically were to the factory workers producing them. Learn more from Museums Victoria: https://museumsvictoria.com.au/article/if-books-could-kill-poison-heavy-metal-and-literature/

Think you have a may have an arsenical book? Don't panic! Check out the Poison Book Project by the Winterthur Museum, Garden & Library and University of Delaware.

Let Henry Longfellow pick your next favorite poem. For  , we're highlighting volumes of poetry in the site's collection ...
04/26/2026

Let Henry Longfellow pick your next favorite poem. For , we're highlighting volumes of poetry in the site's collection owned by Henry W. Longfellow.

As April and come to a close, we look ahead to the next season with Roadside Poems for Summer Travelers. Editor Lucy Larcom (who had become a well-known writer while working in the textile mills at Lowell National Historical Park) wrote “A little book filled with sky and mountain glimpses, the sound of running waters and rustling trees, and wafts of fragrance from field and woodland, is scarcely out of place anywhere among poetry-lovers in the summertime.” Unsurprisingly, given the strength of his nature poetry, the small volume includes six poems by Longfellow.

This extract, from “Our Daily Paths,” comes from a slightly earlier English author, Mrs. Felicia Hemans (1793-1835). Henry Longfellow read her work as a young man, with mixed opinion: “I think she possesses great genius, and great power of over language… but of late, by her own carelessness, she has fallen short of her own excellence. Moreover, she has introduced into modern poetry a hop, skip, and jump kind of measure, which has had, in my humble opinion, a very deleterious influence in our own country.”

What do you think – is “Our Daily Paths” genius or too “sing-song”?

There's Beauty all around our paths, if but our watchful eyes Can trace it 'midst familiar things, and through their lowly guise; We may find it where a hedgerow showers its blossoms o'er our way, Or a cottage-window sparkles forth in the last red light of day. We may find it where a spring shines clear, beneath an aged tree, With the foxglove o'er the water's glass borne downwards by the bee; Or where a swift and sunny gleam on the birchen-stems is thrown, As a soft wind playing parts the leaves, in copses green and lone. We may find it in the winter boughs, as they cross the cold blue sky, While soft on icy pool and stream their pencilled shadows lie, When we look upon their tracery, by the fairy frost-work bound, Whence the flitting redbreast shakes a shower of crystals to the ground.

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105 Brattle Street
Cambridge, MA
02138

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