Houghton Library

Houghton Library Home to Harvard’s rare books and manuscripts, literary and performing arts archives, and more.

What You Can Do At Houghton
• Research rare books
• Attend free exhibits & events
• Tour our historic building
• Teach with primary sources

What We Do
• Provide access to special collections
• Perform reference and research consultations
• Teach with primary sources
• Acquire, catalog, process, and preserve rare books, manuscripts, archives, and more
• Digitize collection materials to preserve an

d make them more widely accessible
• Support research at Harvard and beyond through four fellowship programs
• Organize and host dynamic public programs, including exhibitions, lectures, poetry readings, and symposia
• Publish scholarly and literary journals: Harvard Library Bulletin and Harvard Review
• Maintain an active national and international loan program
• Conduct tours of the building every Friday

Houghton's precious manuscript of a Spanish Baroque "zarzuela" based on the myth of Andromeda and Perseus is being broug...
09/01/2026

Houghton's precious manuscript of a Spanish Baroque "zarzuela" based on the myth of Andromeda and Perseus is being brought to the stage for the first time since its 1653 première at Madrid’s Coliseo del Buen Retiro. Created to celebrate the recovery of the young Queen Mariana of Austria from an illness, the fabulous production featured magic tricks, special lighting effects, flying chariots, and a fearsome sea monster that threatens Andromeda before being vanquished by Perseus. "Androméda y Perseo" is believed to have engaged three of Spain's theatrical luminaries: the playwright Calderón de la Barca, scenographer Baccio del Bianco, and the composer Juan Hidalgo.

Long recognized by scholars as a signature creation of the Spanish Baroque, Houghton's manuscript is the most important surviving document of the original production, especially renowned for its detailed illustrations of the stage sets and costumes and the appendix with all of the music. MS Typ 258 is believed to have been a special presentation copy made by Philip IV of Spain and sent to his father-in-law, Ferdinand III, in Vienna.

The modern revival scales down the original, which included a cast of over thirty characters and lasted four hours. It is being co-produced by the Fundación Juan March, Teatro de la Zarzuela, and La Compañía Nacional de Teatro Clásico. For those lucky enough to be in Madrid this fall, two runs are planned:

September 30–October 10, Fundación Juan March: https://www.march.es/es/madrid/concierto/andromeda-perseo

December 4–13, Teatro Clásico:
https://teatroclasico.inaem.gob.es/2026/05/21/andromeda-y-perseo/

—Kate van Orden, Dwight P. Robinson Professor of Music





Pedro Calderón de la Barca (1600–1681). Andrómeda y Perseo: fábula representada en el Coliseo del Real Palacio de Buen Retiro [...]: manuscript, around 1653. MS Typ 258. Bequest of Philip Hofer, 1984.

"Adam Smith and the Other Revolution of 1776" features two items by the Scottish moral philosopher Adam Smith: his monum...
08/26/2026

"Adam Smith and the Other Revolution of 1776" features two items by the Scottish moral philosopher Adam Smith: his monumental two-volume "Inquiry into the Nature and Causes of the Wealth of Nations" (1776) and a signed letter to his publisher, William Strahan, from that same year. Smith famously argued that economic prosperity is driven by open competition and that focusing on a single area of specialization makes workers’ labor more efficient and thus more profitable. His letter to Strahan suggests combining their resources to increase the profits from sales of the second edition of "Wealth of Nations," thus enacting the book’s own principles.

Open August 31–December 18, 2026
Houghton Library History of Ideas Case
https://library.harvard.edu/exhibits/adam-smith-and-other-revolution-1776

#1776



Pictured: Adam Smith (1723–1790). An inquiry into the nature and causes of the wealth of nations, vol. 1. London: for W. Strahan and T. Cadell, 1776. Loan, private collection.

NEW EXHIBITION: Founded in 1901, the Harvard Theatre Collection is one of the world’s largest repositories for rare book...
08/24/2026

NEW EXHIBITION: Founded in 1901, the Harvard Theatre Collection is one of the world’s largest repositories for rare books, manuscripts, illustrations, and archives relating to the performing arts. Pairing archival objects with a defining moment from the past 125 years, "Making a Scene: 125 Years of the Harvard Theatre Collection" celebrates the extraordinary breadth of HTC’s holdings across theater, dance, music, and popular entertainment.

Open August 31–December 18, 2026
Houghton Lobby Gallery, Houghton Library
Curated by Karintha Lowe, Assistant Curator of the Harvard Theatre Collection, with exhibition identity and design by Mary Y. Yang (Open Rehearsal) and Lauren Greenblatt.
https://library.harvard.edu/exhibits/making-scene-0

#125



Pictured: Charles Williams (etcher). Madame Girardelli: The Celebrated Fireproof Female (1818) in The Life of Richardson, 1890. TS 948.4. Robert Gould Shaw bequest, 1931.

The Constitution could not take effect without state ratification and was the subject of extensive public debate. One of...
08/21/2026

The Constitution could not take effect without state ratification and was the subject of extensive public debate. One of the most influential works of this debate was a series of 85 essays published in New York newspapers under the pen name Publius. "The Federalist" was in fact the work of three men, Alexander Hamilton, James Madison, and John Jay, and their advocacy in favor of the new Constitution remains a landmark of political writing and a valuable insight into the contemporary understanding of its text. Rhode Island overcame its skepticism to become the last of the 13 states to ratify the Constitution in 1790.

On view in the Houghton Library History of Ideas Case through August 27, 2026.
https://library.harvard.edu/exhibits/more-perfect-union





Alexander Hamilton (1757–1804), James Madison (1751–1836), and John Jay (1745–1829). The Federalist: A Collection of Essays, Written in Favour of the New Constitution. New York: J. and A. McLean, 1788. AC7.H1802.788f. Gift of Elizabeth Sever, 1855.

NEW EXHIBITION: Seeking to provoke both “wow, what an amazing object” and “wow, I didn’t know Houghton collected stuff l...
08/21/2026

NEW EXHIBITION: Seeking to provoke both “wow, what an amazing object” and “wow, I didn’t know Houghton collected stuff like that,” "50 Shades of Modern" showcases just a few of the thousands of acquisitions Houghton’s Modern Books and Manuscripts Department has made over the past 20 years. Dating from 1800 to the present, these items show the continuities of institutional collecting; initiatives supporting new directions in teaching and research; and the generosity of the many donors who have helped make the collection what it is.

Open August 24, 2026–January 8, 2027
Edison and Newman Room, Houghton Library
Curated by Leslie Morris, Gore Vidal Curator of Modern Books and Manuscripts.

Special thanks to Peter Accardo, Heather Cole, and Christine Jacobson, former and current assistant/associate curators, who participated in these acquisitions. And much gratitude to Peter Accardo, Susi Barbarossa, Laura Larkin, Mitch Nakaue, and Keren Tran for their work in supporting this exhibition.
https://library.harvard.edu/exhibits/50-shades-modern





Pictured: Atraccions. Barcelona: Guillem Cifré and Xavi Cot, 1982–1984. 2025-461. Stanley Marcus Endowment.

Ivan Bilibin, also noted for his production artwork for the Ballets Russes and professorship in the Leningrad Institute ...
08/14/2026

Ivan Bilibin, also noted for his production artwork for the Ballets Russes and professorship in the Leningrad Institute of Painting, Sculpture and Architecture, spent six months creating the images for this volume, a 1904 retelling of Былина Вольга (The epic Volga). Born to a Kievan princess and serpent father, Volga Vseslavich could transform himself into any creature at will. In his quest to defeat the Golden Horde, Volga became a variety of wildlife, including a ram, several birds, a wolf, and a ferret, finally defeating the enemy by invading its fortress with an army transformed into a column of ants. Here, Volga has become a hungry pike hunting sturgeon. This illustration is one of five chromolithographs in this volume reflecting illustration from the Russian Silver Age, which corresponds to the final years of the Tsarist regime.

On view in the Houghton Lobby Gallery through August 21, 2026.
https://library.harvard.edu/exhibits/making-waves





Ivan I︠A︡kovlevich Bilibin (1876–1942). Vol’ga. Petrograd, 1904. Typ 958.04.2118 F (B). Bequest of Philip Hofer, 1984.

What does a 17th century French confessional manual have in common with a modernist French book of poetry? They both hav...
08/06/2026

What does a 17th century French confessional manual have in common with a modernist French book of poetry? They both have pages cut into lines. "La confession coupée" has lists of sins (corresponding to the Ten Commandments) printed on pages cut into strips that a penitent could fold back to remember to confess. "Cent mille milliards de poèmes" has ten sonnets with lines cut into strips so they can be interchanged and rearranged.





Christoph Leutbrewer, La confession coupée, ou La methode facile pour se preparer aux confessions particulières et generales. Paris, 1682. KC 5691*. From the library of John Chipman Gray, 1933.

Raymond Queneau (1903–1976). Cent mille milliards de poèmes. Paris, around 1961. XF 151. Lucy Allen Paton Bequest Fund, 1963.

Within a few years of the end of the Revolutionary War, the limitations of the Articles, particularly the inability of C...
07/27/2026

Within a few years of the end of the Revolutionary War, the limitations of the Articles, particularly the inability of Congress to levy taxes to fund its operations, had become apparent. A constitutional convention, presided over by George Washington, assembled 55 delegates in Philadelphia to debate a replacement. The document they produced over four months of deliberation was made public in newspapers, pamphlets, and broadsides like the one shown at center, printed for an audience in skeptical Rhode Island, the only state not to send any delegates.

On view in the Houghton Library History of Ideas Case through August 27, 2026.
https://library.harvard.edu/exhibits/more-perfect-union





Proceedings of the Fœderal Convention. Providence: John Carter, 1787. AC7.Un33C3.1787ℓ. Friends of the Library Fund, 1941.

This early and extremely rare journal of science and art reflects the Enlightenment thirst for expansive, illustrated de...
07/24/2026

This early and extremely rare journal of science and art reflects the Enlightenment thirst for expansive, illustrated descriptions of the natural world and human influence on it. Published serially in 18 parts in Paris between 1752 and 1756, it was the work of Jaques Fabien Gautier, or Gautier Dagoty, a polymath interested in the natural world, anatomy, and painting who at the same time was an innovator in printmaking. "Observations sur l’histoire naturelle, sur la physique et sur la peinture," is a scientific periodical covering anatomy, nature, building construction, and the first such publication issued with colored, engraved (mezzotint) plates.

On view in the Houghton Lobby Gallery through August 21, 2026.
https://library.harvard.edu/exhibits/making-waves





Gautier Dagoty (1711–1786). Observations sur L’Histoire Naturelle, sur La Physique et sur La Peinture, 3 v. Paris, 1752-1756. Typ 715.52.630 v. 2. Peter Paul Francis Degrand Fund, 1948.

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