Gordon Pinsent Centre for the Arts

Gordon Pinsent Centre for the Arts The Gordon Pinsent Centre for the Arts was opened officially as the Grand Falls Arts and Culture Cen The J. R. The Art Gallery is named for Gwendolyn Cooper. Mrs.

The History of the Gordon Pinsent Centre for the Arts:

The Gordon Pinsent Centre for the Arts was officially opened as the Grand Falls Arts and Culture Centre in July of 1971. With the amalgamation of Grand Falls and Windsor, it became the Grand Falls-Windsor Arts and Culture Centre. As of July 12, 2005, it became the Gordon Pinsent Centre for the Arts, in honour one of Grand Falls native sons -

actor and writer Gordon Pinsent, on the occasion of his 75th birthday, and during the town's Centenary. The story of how this building came to be re-constructed in Central Newfoundland is a very interesting one. The building began it life in Montreal as part of Expo 67, “Man and His World”. It was the Czechoslovakian Pavilion which housed many of that country’s cultural treasures and technological innovations. Popular Lore :
On Tuesday, Sept.5, 1967 at Gander International Airport, a Czechoslovakian Airliner crashed on take off. Of the 69 people on board, 32 died instantly and five died later in hospital. Without the rescue efforts and dedication of the people from the James Paton Memorial Hospital in Gander, the Central Newfoundland Hospital in Grand Falls, and local rescue workers, more lives would have been lost. In 1968, as a gesture of gratitude, the Czechoslovakian Government transported to this site the major complex from its pavilion at Expo '67 in Montreal. It was reconstructed by the Newfoundland government and kept the exact same design and layout as the original structure. It took several years to complete the reconstruction due to financial problems, but finally the Centre was officially opened in July of 1971. The facts:
The Czechoslovakian Pavilion at Expo 67 was designed as a temporary structure which could be easily disassemble and reassemble. It was hoped that this feature would help in the sale of the building. The Newfoundland Government of the day had expressed an interest in buying the building but was not the first choice of the Czechoslovakian Government. After the aforementioned rescue efforts of the people of Central NL., the Province’s request to purchase may have been raised to the top of the list. Smallwood government purchased the Pavilion for 230,000 crown with the intent of making it into and Arts and Culture Centre in Central NL. He also intended to name the Centre after the sixteenth century Roman Catholic Educationalist, Comenius, to honour the buildings Czech roots. The building was design by Czech Architects Miroslav Repa and Vladimir Pycha and the Centre still houses some of the artworks from the Pavilion when it was at Expo 67 in Montreal. The Pavilion was divided into two separate buildings. The restaurants and small theatre section of the Pavilion were re-assembled in Gander and the larger exhibition area was rebuilt in Grand Falls. In the Gordon Pinsent Centre for the Arts there is an art gallery, a four hundred seat theatre, and a public library. These features in the building are named for pioneers from the community of Grand Falls. The theatre is named the Neala Griffin Theatre, after the prominent theatre and performing arts enthusiast who lived in Grand Falls. She was president and director of the Northcliffe Drama Club and she was also involved with adult education in the region. She was the wife of the mill manager in the early days of the town and also a prominent arts supporter. Cooper arranged many arts exhibits, taught art, and encouraged many young artists to pursue their artistic dream. She also started and encouraged the first performing arts group in this region. The Harmsworth Public Library, named in honour of the Harmsworth family which founded the Anglo-Newfoundland Co. Ltd., moved from its original location on Church Road to this building on November 30, 1971. This wonderful building continues to attract many cultural events. Performers and visual artists from all over the world have performed or exhibited in the Centre for the Arts. Throughout the year visitors and patrons alike are invited to view local, provincial, and national artworks and performers as well as use the public library as a resource centre. Housed in the Art Gallery are two permanent collections. The first is called "Project 2000", sponsored by the Central Newfoundland Visual Arts Society, which features fine examples of prominent Newfoundland born visual artists. The second collection, also sponsored by C.N.V.A.S., is called the “CNVAS Collection” and is comprised of works by visual artists who live in Newfoundland. The temporary gallery features works by local, regional, and provincial artists throughout the year. The following is an account of the airliner crash, as it appeared in a local newspaper at the time

The Czech Plane Crash:
Thirty two persons died instantly aboard a Czechoslovakian airliner which crashed at Gander on Tuesday, September 5, 1967. Two more died after being admitted to the Paton Memorial Hospital, at Gander. The third casualty, Mr.Pilato, who boarded the flight at Gander, passed away at Montreal General Hospital. The fourth, a man of Polish nationality, died at Halifax and another expired in Montreal General Hospital the following weekend. The Russian built IL 18 Turbo prop aircraft crashed seconds after taking off from Gander. The aircraft, in command of Captain Bacovsky, may have been attempting to land on the soft marsh when it hit the railway tracks and telegraph poles and somersaulted. The first survivors to be located were: a stewardess, flight engineer, radio operator, a man, his wife and four children. Seven hours after the crash, the last survivor, a woman with her legs badly injured, was located under a piece of wreckage. Sixteen of the bodies have not been identified except by nationality and sex. The remainder of the bodies were released by Magistrate Jack A. White of Gander and company planes belonging to Czechoslovakian Airlines and Cubana Airlines have since transported the bodies to Cuba and Prague. Authorities at the Victoria General Hospital, Halifax and the Montreal General have commended the Paton Memorial Hospital for the manner in which the survivors of the crash were prepared for transfer to their respective facilities. Of the original 37 survivors admitted to the hospital here, 20 were transferred to Halifax and 7 to Montreal. Two died at Paton Memorial and one of the seven transferred to Montreal, Mr. Pilato, has also died, bringing the death toll to 37 out of 69 persons on board the aircraft. The hospital in Gander was assisted during the emergency, by: The Central Newfoundland Hospital, Grand Falls; General Hospital, St. John's; St. Clare's, St. John's; Provincial Department of Health Nursing Service, St. John's; Victoria General Hospital, Halifax; Montreal General Hospital, Montreal; Red Cross Service, St. John's and Toronto; and the United States Naval Hospital, Argentia. Hospital Administrator Mr. Gover said, "The assistance received during the emergency was terrific." He made special mention of Les Gettel, Manager of Allied Aviation, for arranging transportation; members of the armed forces, both Canadian and American; members of the Royal Canadian Mounted Police; Eastern Provincial Airways; blood donors; Department of Transport; and numerous others who came forward and offered their services. Though the hospital maintains a ten bed crash ward, it was not in use during the tragedy because there was ample room to accommodate the crash victims throughout the facility. The bodies of 29 victims left Gander on September 10th for the return trip to Prague. On hand for the simple ceremonies were: Rev. W. Vardy of the United Church; Rev. J.H. Moss of St. Martin's; Rev. J.P. McCarthy; the Hon. Charles R. Granger, representing the provincial government; Mr. James Tucker, M.P.; Magistrate Jack A. White of Gander; The Consul General of the Czechoslovakian Embassy in Montreal; Edward Bilek, president of the Czech airline; L. Kilack and airport manager, Jack James. Mr. Bilek said it was his feeling that the number of people who died would have been greatly increased had it not been for the prompt action of the staff at James Paton Memorial Hospital. He said people of Czechoslovakia would always be in debt to those who did so much. He said, "the interest and concern shown by the people of Gander, who came out for the ceremony, is also appreciated." Close to 1,000 people attended the ceremony. Final identification for all but two of the victims came from Prague late that afternoon. The Ilyushin IL 18D turbo prop airliner exploded into flames about 4000 feet beyond the end of Gander airport's runway. The aircraft, a Soviet built four propeller turbo prop aircraft, was owned and operated by CSA (Czechoslovakia State Airlines), and was only in service about three months and was practically new to CSA's fleet. It was given its certificate of airworthiness and registration on May 16, 1967. This aircraft was the mainstay of Soviet transport airliners in the early 1960's and was being built and exported to communist bloc countries. Hundreds were in service all over the world. The IL 18 was a modern passenger transport of sleek design and comparable to western standards of technology and was well proven in service with many airlines. The aircraft, an IL 18D registered OK WAI left Prague, Czechoslovakia for its final destination Havana, Cuba with two technical and refuelling stops at Shannon, Ireland and Gander, Newfoundland. The aircraft stopped at Shannon and continued its flight across the north Atlantic uneventfully to Gander. The crew which flew the plane to Gander deplaned and was replaced with a new crew stationed at Gander. The aircraft lifted off near the end of the runway appearing normal except for a shallow climb out. The air plane, with 8900ft. of runway behind it, pancaked into very boggy ground beyond the end of the runway. The right wing tip struck a radar mast and exploded. Many of the passengers thought it occurred in flight. However the explosion occurred when the left wing and propellers struck the Canadian National Railroad tracks.

🎶 Atlantic Jazz Nights is back at the Arts & Culture Centre! 🎶Get ready for an intimate, high energy evening of world cl...
04/29/2026

🎶 Atlantic Jazz Nights is back at the Arts & Culture Centre! 🎶

Get ready for an intimate, high energy evening of world class Afro Cuban–influenced jazz with co artistic directors and JUNO Award–winning musicians Florian Hoefner (piano) and Jim Vivian (bass), live in Grand Falls-Windsor at the Gordon Pinsent Centre for the Arts on Sunday, May 3.

This provincial finale tour brings the Presentation Series 2025/26 Season to a thrilling close, inspired by the vibrant rhythms of Cuba.

🎺 Featuring special guests:
Michael Rodriguez (trumpet) – known for his work with Quincy Jones, Chick Corea, and the Jazz at Lincoln Center Orchestra, and one of today’s most versatile and in demand jazz voices.

🥁 Adam Cruz (drums) – one of the most creative drummers of his generation, celebrated for collaborations with Danilo Pérez, Tom Harrell, and Chris Potter. Modern Drummer Magazine praises Cruz for “pairing flawless technique and a crystalline touch with a level of prophetic intuition that is awe inspiring.”

🎥 Watch this video to hear Florian and Jim share why they’re excited to return and perform for audiences across the island:
https://youtu.be/Cg3kRW8-9ak

🎟️ Don’t miss this unforgettable night of jazz! Get your tickets today:
https://www.artsandculturecentre.com/gfw/online/article/AtlanticJazzNightsTour

04/29/2026
It’s April Fools’ Day, but this is no joke—Buddy Wasisname and the Other Fellers are touring select Arts & Culture Centr...
04/01/2026

It’s April Fools’ Day, but this is no joke—Buddy Wasisname and the Other Fellers are touring select Arts & Culture Centres this fall.
Ticket go on sale…today!

For over 30 years, these legendary performers have been roaming Newfoundland and Labrador, spreading music, mischief, and occasionally confusion! With harmonies sweeter than molasses and wit sharper than your mother-in-law’s tongue, they can turn any crowd into a full-blown hootin’, hollerin’, belly-laughin’ mob.

ACC Tour Dates:
• Stephenville Arts & Culture Centre—October 23
• Corner Brook Arts & Culture Centre—October 24 & 25
• Joseph R. Smallwood Arts & Culture Centre, Gander—November 19 & 20
• Gordon Pinsent Centre for the Arts, Grand Falls-Windsor—November 21 & 22

Grab Your Tickets Before They’re Gone!
www.artsandculturecentre.com/online/article/BuddyWasisname2026

03/24/2026

We will be staying closed for the remainder of the day. Tickets for upcoming shows are available online at: www.artsandculturecentre.com

03/24/2026

The Gordon Pinsent Centre for the Arts will be closed this morning due to the weather.

For All the Premiers I’ve Loved Before by Tara Manuel—part of the Arts & Culture Centre Presentation Series—tours the AC...
03/10/2026

For All the Premiers I’ve Loved Before by Tara Manuel—part of the Arts & Culture Centre Presentation Series—tours the ACCs March 13–21.

We recently caught up with Tara to talk about the inspiration behind her spicy love letter to Newfoundland and Labrador politics.

💬 Here’s the third and final excerpt from our conversation:

ACC:
In film and theatre, actors often spend a great deal of time crafting character. How is that process similar in puppeteering, and how does it differ when the character is embodied through a puppet or abstract representation?

Tara:
In puppetry the object is supposed to come first, and it is the object that informs the character. With the premiers I’ve often begun with hearing their voice in my head and as they are historical figures the objects themselves have some qualities of the original but are not meant to be replicas. It may be an aspect of a character that I lean into in finding a way of expressing that
character.

ACC:
Comedy can make difficult or contentious subjects more approachable. How does humour function in For All the Premiers I’ve Loved Before, and what does comedy allow you to say that might be harder to express otherwise?

Tara:
I use humour as a way to discuss difficult subjects - like betrayal, graft, ego-centered policy making, s*xual misconduct, in this play.

ACC:
Shadow play and shadow puppetry are among the oldest storytelling traditions, yet your use of hand puppets, projection, and lighting feels very contemporary. How do these different tools work together to support your storytelling?

Tara:
Puppetry itself is the key to all this. The reason such an ancient artform has remained culturally relevant is because it absorbs any technology it encounters and uses it to serve the goals of the puppets and the story. We always say “puppets can do and say anything” and the technology is there merely to support and clarify the narrative – not just to show off its bells and whistles.

ACC:
You collaborated with several other artists on For All the Premiers I’ve Loved Before. Can you tell us about some of those collaborators and what they each bring to the work?

Tara:
Lois Brown offered a great dramaturgical eye and was instrumental in helping me draw out the themes of the play and to focus on distilling the drama and cutting away the excess. Lois also directs the play and is able to enter into the insanity of this puppet world with humour, intelligence and a great sense of play.

Michael Rigler - my husband - brings his wonderful visual sense to the play - through his “action figure” premier puppets, his beautiful resin paintings/projections, and his knowledge of lighting for puppetry. He built the lights we use behind the screen and at the beginning when I bring the stage to life. Michael is also puppeteering the main puppet - Father Clyde. Candice Pike brings her skills as a choreographer to help me interpret the puppet movement and as an assistant director and was integral in the development of the presentation of the piece.

ACC:
The puppets featured in For All the Premiers I’ve Loved Before are striking. Who was involved in crafting them, and what were the artistic or symbolic goals behind their designs?

TARA:
I made the two little premier Furey and Kathy puppets for previous works and have built a relationship with them over the years and so wanted to use them in this piece. I built the Frank Moores puppet for this show. Initially he had a body but that was too cumbersome and so he’s been distilled down to his essentials - a head and a hand!!!

The other puppets and the resin paintings are Michael’s work. He pioneered these “action figure” type puppets. The tabletop, or unstrung marionettes, are each a unique design but all built on wireframe armatures. The idea was to create a collection of figurines that a child could play with. I become the puppet master of my own set of political figures. You could see it as turning the tables on the politicians who hold part of our destiny in their hands… these political figures work for me.

The resin paintings were designed to look like stained glass windows that come alive and transform from representative to abstract imagery as the light animates them. It’s a play on the idea of stained-glass scenes in historical buildings. But rather than representing history as a fixed set of icons, these windows change and transform depending on perspective.

ACC:
Finally, what can audiences look forward to when For All the Premiers I’ve Loved Before tours the Arts & Culture Centre this March?

Tara:
I think audiences can look forward to an entertaining, surprising, and (for many) educational show. They will be reminded of things they’ve forgotten, will learn some new things, will laugh out loud at the absurdity, will be provoked to question how our history has shaped our present and how we should go forward.

I hope they will feel like this audience member who saw the first iteration of the show last year; “It was such an incredible and entertaining history lesson! Cudos for a fantastic evening of everything...puppetry, dancing, singing, et al. We totally enjoyed it. This should be seen by everyone in this province and upalong!”

Tara Manuel’s For All the Premiers I’ve Loved Before, part of the Arts & Culture Centre Presentation Series, starts this Friday!

See tour dates below:

• Corner Brook—March 13
• Grand Falls-Windsor—March 15
• Gander—March 18
• St. John’s—March 20 & 21

👀 Watch the Trailer:
https://www.youtube.com/watch?v=7sbtFIxxwJ4

🎟️ Get Your Tickets Today:
https://www.artsandculturecentre.com/Online/article/taramanuel

For All the Premiers I’ve Loved Before by Tara Manuel—part of the Arts & Culture Centre Presentation Series—tours the AC...
03/02/2026

For All the Premiers I’ve Loved Before by Tara Manuel—part of the Arts & Culture Centre Presentation Series—tours the ACCs March 13–21.

We recently caught up with Tara to talk about the inspiration behind her spicy love letter to Newfoundland and Labrador politics.

💬 Here’s part two of the conversation:

ACC:
Newfoundland and Labrador has a colourful political history. What did your research process look like, and how did that research shape the development of this play?

Tara:
My research process has been ongoing in a very disjointed but consistent way for many years - I am always learning and will never know it all. I started down this path of political puppetry in 2020 after reading the MF Inquiry report, probably gave myself an aneurism, decided I had to respond with puppetry and then started taking political science courses through MUN. I took a whole bunch of courses over the next few years so that introduced me to a lot of academic writing about our history and then when developing this piece, I read books about the premiers (some of Bill Rowe’s salacious ones lol) and also some great political history books. Many of the books serve as set pieces on my desk upon which I play with the premiers.

ACC:
Political art is often sharply critical, particularly when it engages with figures like politicians or societal and environmental impacts of large-scale projects. Your work, however, feels more nuanced. Where does the respect and warmth in your approach come from?

Tara:
I’m glad that my work comes across as warm and respectful because my first reactions to learning some things are not warm and respectful at all! Some things make me so angry it feels like my head will explode!!! But what good will it do in an increasingly loud and angry world for me to rant about it?

Most of us turn away from that kind of expression and it prevents communication. I think my background in theatre for young audiences and the fact that most of the puppets are little causes me to relate to them in a warm way. I hope this approach allows the audience to enter into a place where they can hear about history and policy and be entertained and enlightened rather than bored or offended.

Also - part of what I am working out in this play is our relationship to our premier - how we’ve been conditioned through centuries to look to them as a kind of father figure, and the sub story is about my own father loss and looking to Premier Wells as a kind of father and there is a lot about that kind of “unhealthy attachment” that is not a good thing because it hurts when they do things that ultimately harm us and we may rely too much on them rather than on ourselves and our own communities to solve our own problems.

So, there’s a tension there between the admiration I have felt for many of our premiers and the feeling of having been betrayed by some of their policies and I am trying to hash that out in a way that is entertaining and respectful to us and our experience and to them and their legacies.

Also, my late Mom was a beautiful gentle person devoted to Catholicism who embodied the ideal of unconditional love, and I carry her with me and would not want her to be ashamed of how I express my political views!

ACC:
Puppet theatre has been central to your practice for more than a decade, alongside your work as an actor, writer, and producer. What first drew you to puppetry, and what continues to compel you to explore this art form?

Tara:
I took some puppetry at theatre school but it wasn’t until I was raising my boys that I became interested in it as a way to keep us occupied during winters with creative play rather than tv. Then I had the idea to create a puppetry show that I could take into schools in all the rural communities I had been working in as a teaching artist with the Learning Through the Arts program here on the west coast.

I hadn’t worked as an actor in over a decade and puppetry – specifically shadow puppetry at the time gave me a way of coming back to performing that was freeing as I could be behind a screen and then later with other kinds of puppetry - project myself into them and they were what the audience focused on.

Then it kept growing. I did some professional development in puppetry with Natacha Belova in Brussels, Mermaid Theatre Nova Scotia, and the New England Puppetry Intensive and Michael and I have continued to develop and deepen our practice.

Stay tuned for part 3!

Show Tour Dates:
• Corner Brook—March 13
• Grand Falls-Windsor—March 15
• Gander—March 18
• St. John’s—March 20 & 21

👀 Watch the Trailer:
https://www.youtube.com/watch?v=7sbtFIxxwJ4

🎟️ Get Your Tickets Today:
https://www.artsandculturecentre.com/Online/article/taramanuel

For All The Premiers I’ve Loved Before by Tara Manuel—part of the Arts & Culture Centre Presentation Series—tours the AC...
02/24/2026

For All The Premiers I’ve Loved Before by Tara Manuel—part of the Arts & Culture Centre Presentation Series—tours the ACCs March 13–21.

We recently caught up with Tara to talk about the inspiration behind her spicy love letter to Newfoundland and Labrador politics.

Over the coming weeks, we’ll be sharing highlights from that conversation as we count down to this heartfelt (and hilarious) performance featuring Tara and her puppet premiers.

💬Here’s the first part of our chat:

ACC:
For audience members who may be experiencing your work for the first time, would please you introduce yourself and your artistic practice?

Tara:
I trained as an actor at the National Theatre School of Canada in Montreal and graduated in 1994…I had been a child actor in theatre and in film (Ken Pittman’s Finding Mary March). I worked in theatre and film and tv in Canada and the US and then moved to Europe after being awarded a fellowship (The William and Eva FOX fellowship for theatre school graduates).

I didn’t want to be an actor so I started writing and published 3 books - 2 books of fiction: Filling the Belly (2003) and Walking Through Shadows (2011) both published by Thistledown press here in Canada.

I started teaching creative drama in rural NL schools after coming home to start a family and found that I loved that and wanted to be able to bring theatre into schools especially in places where children had no access.

In 2009 my husband Michael and I built our first puppetry show - St. George and the Dragon - it was a shadow puppetry show that I toured solo to about 100 schools over 8 years from Grey River on the south coast to Charlottetown Labrador.

Since that show we’ve produced an award-winning film - The Tentacle’s Claw - and many other short puppetry pieces for the web and for the stage. Another large-scale puppetry play for young audiences - The Lady of the Falls - toured the provinces Arts and Culture Centres in 2019 and since then Michael and I have been touring a digital version of that piece in rural schools along with a live workshop series. We also do a weeklong short puppet film workshop series in schools.

In 2020 I wrote a puppet play for adults - Muskrat Dreams: A Love Story - and filmed a version of that which streamed for 2 years on the US platform United Solo. An updated version of that show ran at the LSPU Hall in 2022.

We made a short series of “Little Premier” videos with Little Premier Furey to protest the WEGH2 development here on the west coast and were published on the Ungle Gnarley Blog.

We have another large-scale puppetry play for young audiences and a shadow ballet in development. I’m also a singer and a serious knitter!

ACC:
Themes of love recur throughout your work from For All the Premiers I’ve Loved Before and your recent Arts & Culture Centre residency, Muskrat Dreams: A Love Story. Why has love become the lens through which you explore Newfoundland and Labrador politics?

Tara:
We tend to be a people who are passionate about our home, and we the people and our leaders are often very expressive about loving it. Only the way we treat it does not always reflect love. In the play I explore the relationship to our home through the lens of politics and suggest that what we call love may sometimes manifest in something more like unhealthy attachment or control rather than love.

ACC:
There’s often a distinction made between realism and realistic expression—the idea that art doesn’t need to recreate life exactly in order to express something true. How do puppets enable that kind of expression, and why was puppet theatre the right vehicle for guiding audiences through Newfoundland and Labrador’s political landscape?

Tara:
Puppets allow us a distance from a subject - and that space allows us to make a connection to an idea or an emotion that might be too threatening otherwise. Also - we have an incredibly interesting history - I mean so many of the things that have gone on here are unbelievable and so fascinating and rather lend themselves to theatrical interpretation. I don’t have an opportunity to call up the premier when I don’t agree with a policy direction and so turning the leaders puppets offers me an immediate and absurd foil for expressing my political views.

ACC:
Puppets resonate across generations. What do you think gives puppetry its universal appeal for both children and adults alike?

Tara:
Puppets allow us as audience members to project our thoughts and feelings onto them so that we are using our imaginations in a way that makes us active participants in the experience.

Stay tuned for part two!

Show Tour Dates:
• Corner Brook—March 13
• Grand Falls-Windsor—March 15
• Gander—March 18
• St. John’s—March 20 & 21

👀 Watch the Trailer:
https://www.youtube.com/watch?v=7sbtFIxxwJ4

🎟️ Get Your Tickets Today:
https://www.artsandculturecentre.com/Online/article/taramanuel

Coming soon to the Arts & Culture Centres...For All the Premiers I’ve Loved Before, an original puppet play by Tara Manu...
02/17/2026

Coming soon to the Arts & Culture Centres...

For All the Premiers I’ve Loved Before, an original puppet play by Tara Manuel Puppet Theatre Artist

Proudly part of the Arts & Culture Centre Presentation Series 2025/26 Season.

So, what’s the show all about?

Think The Muppet Show meets Newfoundland and Labrador political satire.

For All the Premiers I’ve Loved Before is Tara Manuel’s spicy love letter to NL politics—a smart, thought provoking collision of puppets and power.

It’s laugh out loud funny, as Tara takes a heart’felt’ (pun intended) look at the patterns, personalities, and proclivities of the premiers who have shaped the fabric (somebody stop me!) of our shared political history.

As the saying goes, behind every great puppet is an even greater artist. This production is being stitched together by a stellar creative team:

• Direction and Dramaturgy: Lois Brown
• Shadow Theatre Effects and Puppet Design: Michael Rigler
• Choreography and Assistant Direction: Candice Pike
• Puppeteering: The NL Puppet Couple
• Stage Management: Sarah White

The Arts & Culture Centre is thrilled to tour this one of a kind production to four locations across the island this spring.

Show Tour Dates:
• Corner Brook—March 13
• Grand Falls-Windsor—March 15
• Gander—March 18
• St. John’s—March 20 & 21

👀 Watch the Trailer:
https://www.youtube.com/watch?v=7sbtFIxxwJ4

🎟️ Get Your Tickets Today:
https://www.artsandculturecentre.com/stjohns/Online/article/taramanuel

Coming soon to the Arts & Culture Centre Presentation Series...For All The Premiers I've Loved Before: An original puppet play by Tara Manuel.Part of the Art...

01/12/2026

The Gordon Pinsent Centre for the Arts Box Office will be opening at 1:00pm today.

Address

3 Cromer Avenue
Grand Falls, NL
A2A1W9

Opening Hours

Monday 12am - 6pm
Tuesday 12pm - 6pm
Wednesday 12am - 6pm
Thursday 12pm - 6pm
Friday 9am - 6pm

Telephone

+17092924518

Alerts

Be the first to know and let us send you an email when Gordon Pinsent Centre for the Arts posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Organization

Send a message to Gordon Pinsent Centre for the Arts:

Share